Hossein Bazaz on his death bed wants Kamal (Ezatollah Entezami) who is a pious man to be the guardian of his only daughter Golrokh. Kamal's wife disagree because of their young boy Ahmad who lives with them at home. Kamal brings the girl to their house but his conscience is not at ease. Finally this lead to terrible consequences for him.

Sundarai Adare (Sinhala: සුන්දරයි ආදරේ) is a 2003 Sri Lankan Sinhala comedy action film directed by Upali Piyaratne and produced by S. Kanathapille for Orient Films.

Everything that leads from any part of the body to the heart.

Jenna Wilde, after finding out her hit show has been canceled, retreats to a mountain cabin where due to a mix up by her agent, is forced to share it with a handsome nature photographer. After initially colliding they make the most of it and end up falling in love.

Science of Love is an NBC reality dating show hosted by Mark Consuelos and starring NFL football player Adam Johnson. It premiered on Monday, June 25, 2007. The show revolved around the notion if science can find a person's soul mate, or instincts rule love. The scientific match, Casey Dee, won Adam's heart. As a prize, the two were flown to Hawaii.

After the sudden death of her father, a young woman becomes haunted by the uncertainty of the world around her.

Love ni Mister, Love ni Misis is a Philippine television talk show and lifestyle show that aired every morning on GMA Network. It was hosted by real life couples, Carmina Villaroel and Zoren Legaspi. The show aired new episodes on GMA Pinoy TV but was switched to GMA Life TV on February 28, 2011 worldwide.

While in a mental ward, Johnny, a young amnesia-ridden man, befriends Laura, a blind middle-aged woman. However, as their friendship develops, so do feelings far more than that. Against the rules of the ward, the pair set out to elope at any cost. And even still, the dark truth of Johnny's true identity still awaits him.

Barbara Wyatt-Hollis is an English professor who begins to experience the effects of Alzheimer's. The film documents her decline and the emotional turmoil it causes for her. It also shows how the changes impact her husband, George, and their children. The film also looks at the process by which families can be educated and supported to deal with the impact of the disease, as well as what is done for those afflicted.

The father tends his large garden with the utmost precision. The mother irons shirts and regrets that the father never wears T-shirts. The father likes order, always knows best, and has everything under control. The mother prays and talks of her loneliness. The two are fundamentally different, have opposing views and interests, and have been married for 62 years. Closely knit yet poles apart: this is the ambivalent standpoint from which Peter Liechti turns his lens on his elderly parents and the story of their marriage. Alongside conversations that shift from slapstick to insanity and observations of daily life in his parents’ cramped, lower middle class apartment, a puppet theatre is also established as a second location. This forms the stage for scenes between mother and father to be reenacted by rabbit puppets; as a puppet, the son can also react in explosive fashion.

Thirty-year-old college lecturer Shu Qiao is about to marry her long-term boyfriend and fiancé, successful banker Hu. The future has been written for her. However, during a visiting scholar programme to Europe, Shu encounters theatre director Fan in Prague, with whom she falls hopelessly in love.

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

Shinji Kubo plays the role of a reporter in a pseudo-documentary about gay bars and cruising spots.

A romance film by the Shaw Brothers studio.

On a wasteland, in the bustle of the end of a circus tour, two children play while a world crumbles around them. In this unstable world, Estrella discovers solitude. For her, as for the others, life is elsewhere.

A frustratingly micromanaged popstar who dreams of the “ordinary” that life has to offer finds herself torn between her celebrity ex, the machinations of her controlling manager, and a developing romance with a down-to-earth record store owner. Will she gain more autonomy over her life – especially her love life – and start making decisions for herself, or will the celebrity machine be too powerful for her to ever feel even remotely normal?