A struggling musician becomes a 12-year-old musical prodigy's guardian for a summer.

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.

A bitter-sweet story of a young sales assistant and a truck driver trapped between their dreams and the economic depression.

Everyday Is Like Sunday is a comedy/drama aiming the lens at post-collegiate characters stuck between their imminently-ending youth and impending adulthood. The film follows Mark, Jason, and Flora, as they realistically attempt to pull themselves out of economic and emotional doldrums.

As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.

Set in the mid 1990s, a 12-year-old Jane begins to rebel against her role as proxy-carer for her mother Sylvia, a recently divorced and ever so slightly fading Broadway diva. As Jane does her best to protect her mother from everything that threatens to disturb her delicate equilibrium, she moves quietly from childhood into something else-wiser, freer, and more alone

Lefty-a hard working, light hearted man is looking to make a decent buck. But when a simple bet goes horribly wrong, Lefty is stuck between a rock and gangster who's dead set on collecting his money.