Vida Mía is a Mexican telenovela produced by Rafael Gutierrez for Azteca. It is scheduled to premiere in March 2012, replacing A Corazón Abierto. It stars Ana La Salvia as the main heroine. It marks the return of both Gutierrez as telenovela producer and La Salvia as telenovela actress after 10 years, since Por Tí, in 2002.

A discovery of the incredible musical journey of Yannis Spanos, setting off from small-town Kiato to major collaborations in Paris, and ultimately his huge success in Greece. With rare documents and interviews and through the eyes of a devoted fan, we explore why Spanos chose to stay behind the scenes, letting his music steal the spotlight.

A father and son are working in a coal mine. An explosion occurs, which kills the son.

In a desolate landscape process strange creatures. The foreman of the group picks a suitable spot and the whole multiplying colony starts excavating a pit. They encounter various natural disasters that ruin their efforts – but the colonists always rise from the ruins and continue their work. We do unequivocally sympathise… till the moment when we return to the people’s daily lives.

A documentation of the year of high school of 1970 to 1971 for students and teachers alike at the St. Mark prep-school community, from the 'weird drama and film students', to the most infamous teachers of the year like Mr. Burns and Mr. Whatley, along with many references to music and film of interest at the time; Consistently from the perspective of an intrusive senior, according to Mr. Whatley, "had the worst case of senioritis he had ever seen." Shot entirely in Super-8, narrated by the director.

An end-of-life hospice opens its doors in this intimate documentary, revealing moments of joy and tenderness between staff, residents and loved ones.

The symbolic meaning of the tree is made visible in a series of children's drawings.

"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs