Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.

Mitu and Elena get to know each other in the course of a vodka drinking contest and discover that they are both dissatisfied with the status quo. Mitu is about to begin military service and Elena is to be married to a man she does not love. They decide they are meant for each other and plan on a different future, one that is on a collision course with the authorities, and start a mad affair.

While awaiting the next fuel truck at a middle-of-nowhere Arizona rest stop, a traveling young knife salesman is thrust into a high-stakes hostage situation by the arrival of two similarly stranded bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained, ill-gotten fortune.

An Icelandic documentary about the people that work, and hang around Hlemmur, the iconic Reykjavik bus stop. The film follows homeless people, people with disabilities, and a bus driver. A unique view in to their lives, and the view they have on the world. Soundtrack by Sigur Rós.

After his son is murdered and the law is of no assistance, a father hires a contract killer to avenge his son, but as dark secrets from the past return, no one can be trusted, and the body count rises.

A London Underground Tube driver is haunted by the man he killed.

Based on the short story 'Coffee, Coffee, Coffee,' Last Stop is a story about observation and contradictions. A surreal look into a young photographers world as she documents her daily commute through a train station.

A teenage girl is forced to upend her life after accidentally getting pregnant.

After being discharged from the hospital, an ill, young man journeys aimlessly by train as he struggles to find human connection in his empty world, despite the painful cost.

Two men wait at a train station.

Meet Vartanus who has devoted her life to her bedridden father; Goncagul who realizes that her Mafioso lover will never marry her. Gulnur who's resigned herself to daily beatings as long as her husband doesn't touch the kids, Tulay who's shattered every time her mother gets beaten; hairdresser Fusun who tends to see things on the bright side. These are the women who transport Eylem, each other and perhaps every woman in the country to Last Stop: Kurtulus. The heroines adopt one unwavering principle: to oppose all forms of violence! A dark comedy that's rose-tinted, provocative and fantastic...

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

A man, after many years, returns to his home village following the death of his father, a beloved local stationmaster.

A man walks in search of a way to get home. The way back won´t be what he expected.

Bertil is an old man from Norrbotten in Sweden. His brother has just died, and the shipping of the deceased brother turns out to be very expensive. Bertil decides to solve the whole thing in his own way ...

Five minutes from the sated center of Tel Aviv, lays a huge, bold, brutal labyrinth. The city's central station has become a compound without rules. No man's land. It's hard to tell who is against whom, who controls whom: The Ghanians against the Eritreans against Sudanese against the locals against anyone black or non Jewish. A mosaic of people trying to survive while trapped in their roles in a dog eat dog world. Through the people, a portrait emerges, the face of this place that is that of the country. A mixture of languages, religions, locals and foreign refugees. A gunpowder barrel that has exploded spreading fear, racism, aggression and violence.

The Kreuzberg district of West Berlin is home to foreign workers - Greeks and Turks who are struggling for a better future, while trying to maintain their national identity. The lives, problems and collective political action of the Gastarbeiters are explored in this great documentary by Giorgos Karypidis, who for a while had also lived and worked as a director in Berlin for the public television SFB.

A group of snowbound strangers discover there are killers amongst them.

A young man comes home to his Kazakh village after finishing up his stint in the Soviet Army. All that he finds are his old friends drinking, senselessly carousing, tumbling into one violent brawl after another.