Remedios Buendía defends her homeland and will fight for it. This fateful day of 1945, a group of maquis take the post where she tries on her wedding dress. She will show how far she can go defending her values.

Luci, Graci and Mar­, three sisters that make a comedy trio, go to the wedding of their father with a woman who is 45 years younger than him. During the feast Luci's husband dies in an accident. Despite the tragedy, the trio have to fulfill their commitment acting during August in Benidorm. The widow discovers thanks to a notebook that her husband cheated on her, so she decides to flirt with everyone.

Desdemona lives on an isolated island with her strange family: her father Mario, her stepmother Dulcinea and her mentally challenged sister Paulova. As the only inhabitants on the island loneliness and desolation engulf all members of her family. Desdemona tries to ward off her boredom by taking long walks along the beach or engaging in acts of self-gratification. She often tries to seduce her own father Mario to engage in acts of a sexual nature. Their daily routine is interrupted by the arrival (by boat) of a robust male stranger who brings friction into Desdemona's family.

The encounter with an old lover puts a revolutionary general in great danger of death.

El País de las mujeres is a Venezuelan telenovela that was produced by and seen on Venevisión. It was written by Leonardo Padrón and directed by Carlos Izquierdo. This telenovela lasted 188 episodes and was distributed internationally by Venevisión International. Ana Karina Manco and Víctor Cámara starred as the main protagonists.

A family composed of three generations of women live in an old house in the neighborhood of Ñuñoa. On one hand, Leonor must decide her future, on the other hand, Monica must decide if she sells the house in which they have lived their entire lives while Emilia, must face her Alzheimer’s disease.

Minister with four virgin daughters inherits a bordello. The land contains a silver mine and the corrupt sheriff tries to force them to leave.

Maria, a young Spanish doctor, works in a maternity hospital in the Ecuadorian rain forest. She is shocked about the premature pregnancies and the violence women in Ecuador have to face. She meets Mishell, an adolescent abused by her father, and Yanina, a woman who decides to perform a clandestine abortion. Maria discovers that behind unintended pregnancies often hides sexual violence.

In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.

A look at the prevailing myth of the apparition of St. James in the town of Loíza, Puerto Rico and a reminder of the character, vitality and role Loíza women have as pillars of the community.

An epic home made movie by Jess Franco. It was only shown at the Cinematheque Francaise, Paris in 2008 . Four years later the movie was recut and extended with some scenes by Jess Franco and his new producer, splittet in two parts and re-released as "Crypt of the Condemned" Part I and Part II.

Women Of Fire - Five female archetypes and the taboos associated with them, from witchcraft to sexuality.

A young man arrives at Puebla de las Mujeres, a village of Andalusia with the tradition that man that arrives, man that marries there. The foreigner is going to solve some issues of interest of an aunt who lives in the village. Soon as he arrives all women mobilize, captained by the mayor, for electing bride and organize the wedding. The designated Juanita de la Rosa, does not want to participate and he laughs at the arrangements saying that he has a girlfriend in Madrid.

Spoofy south-sea adventure, mostly about the hot babes.

The filmmaker juxtaposes testimonies by Carmen Gloria Quintana, an activist set afire by soldiers of Pinochet's regime, with images of Cecilia Bolocco, first Chilean to win the Miss Universe beauty pageant, being congratulated by the dictator.

A group of sexy space vixens flies down to Earth, sets up a shop at a carnival (disguising their ship as a ride), and kidnap some earthlings in their scheme to conquer our planet. The humans, including Marcos, a crooked boxer and our hero, Silvia, his love interest, and a gang of comical mobsters out to kill Marcos, are taken to the women’s home planet. There they are held prisoner by the evil queen Adastrea and aided by her selfless twin Alburnia. Meanwhile, a standard issue hunky scientist back on Earth, who happens to be Silvia’s boss, tries to rescue them.

The women in this documentary have a lot of cleaning to do. They work in motel El Pasajero, where the guests generally don't stay longer than a few hours. The rooms don't have to be particularly beautiful, either; as long as there's a bed on which the couples can indulge their carnal passions, sometimes under the influence of alcohol and drugs. We don't see or hear much of these visitors, other than the odd leg, disembodied voices and - increasingly as the film progresses - moaning. They are filmed nonchalantly, from a strange, accidental-looking angle, as if they are not important. The visitors are in fact just extras in this love story. How else could you get a positive view of love in a place like this? We follow four female cleaners during their daily rounds. They change the beds, polish the mirrors and energetically wipe down a clinical-looking sex chair.

Try out some frightfully fun movie and television titles to keep you up at night.