Despite preconceived ideas, pupils with high intellectual potential are not always successful at school. At the end of the 1980s, the French Ministry of Education was first called to account for this paradox. Was there a link between intellectual ability and certain difficulties in adjustment? Over the course of a school year at the Georges Brassens state secondary school in the 19th arrondissement of Paris, where an integration scheme has been in place for these types of pupils for the past fifteen years, the narrator and the various protagonists look back over their lives to identify the nuances of this question, which has become a key issue in the public debate.

Jean-Luc Godard proposes a diary of his creative process. Looking at photos of three actors, Jacques Dutronc, Isabelle Huppert, and Miou-Miou, who were previously cast to play in "Sauve qui peut (la vie)," Godard speaks about great image makers: Dreyer and Wim Wenders, the painters Edward Hopper and Pierre Bonnard.

Following the life of 3 dictators, Amin Dada, Staline and Khadafi.

25 years ago, Marguerite Duras passed away at the age of 81. At the evocation of this name, one spontaneously thinks of the intellectual superstar Duras, adulated or hated, with her big glasses and turtleneck, who received the Goncourt prize for her mythical novel, "L'Amant". But behind the superstar writer, who either fascinates or annoys, and behind his double novel, the young Indochinese girl, with her hair pulled back and lips underlined with lipstick, which is precisely the subject of "L'Amant", are hidden other, perhaps less well-known facets of the character, a writer, but also a filmmaker, journalist, a woman committed to the left, a transient lover or a loving mother. Marguerite Duras will have had 1000 lives in one and many other faces. This film attempts to get as close as possible to this extraordinary destiny.

The visit of Ouest Eclair newspaper.

En Avant l’Etoile du Nord ou La Joie de "vie” is a documentary by independent journalist Christine Loÿs exploring French history, heritage, and identity in Minnesota.

A short film screened Il Cinema Ritrovato 2021. The film demonstrates "the inability of most filmmakers to meet a foreign culture in an appropriate manner, while offering gorgeous cinematographic shots from African landscapes, an important raison d’être of the genre." (Karl Wratschko)