The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began.

The events of the series revolve around a true story, about Shaima. She is a girl who comes from a simple family obsessed with the Tik Tok website, where many interesting things happen to her, and events continue.

ISIS forces were driven out of Mosul in July 2017. How to rebuild the city after more than 3 years of occupation?

This is a film about the September 11, 1973 military coup in Chile, from the point of view of Chileans who were born and grew up after this traumatic event. Based on improvisations and collective creation work, groups of pre-schoolers, adolescents, and university students from different social, cultural, and political origins, recreate history through mise-en-scenes that come from their own imaginations. The film articulates this creative vortex in a multiple-narrative flowing cinematic mosaic that gives an account of contemporary Chile by reliving its past.

"This piece –the number 8 inscribed within a chequerboard of marble and dry ice blocks– was inspired by the fact that, in all Indo-European languages (apart from the Slavic languages), the words for night and eight only differ in the negating n at the start: in Spanish, noche-ocho; in French, nuit-huit; in Italian, notte-otto; in German, Nacht-acht... I was fascinated by the way dry ice disappears without a trace, a flirtation with the remnants of a process which, in this case, can only be seen in language. Sometimes, language is the only place that retains the built-up layers of changes in consciousness, and this is one such example. The number eight –which comes up frequently in mythological thinking– thus becomes a figure that recalls a time of consciousness before the birth of opposites and dialectics." - Eva Lootz

An experimental and poetic portrait of a woman.