Fatima, in the beginning of her twenties. She cooks, takes care of her child and does her everyday house cleaning. Gradually, her life begins to change, she worked as a cleaner, her husband abused her, she asked for help, and then escaped away to live in a social house. After escaping with the hope of having a better life, she is suddenly faced by another problem related to the status of her child. The director was shooting with an iPhone since meeting Fatima to make a semi-fiction movie. But instead, Anhar kept the footage and continued shooting with her personal phone for documenting Fatima's new dramatic changes more closely, in the sake of keeping the same relationship and distance. At the same time, the film tries to emphasize Fatima’s emotional/occasional status throughout the film by using more vivid images connected to her situation, places, and old memories as an ex-dancer back in Algeria.

Two close girlfriends come to Buenos Aires from the Northwest looking for a better future, but they are victims of a hoax and should work in a brothel. There, one of them will adapt to survive and the other will try to flee.

Ah-Xian resides in the heavily polluted industrial area in Kaohsiung, surrounded by a multitude of refineries and chemical plants. She takes on multiple jobs to support her family financially. After she lands a new part-time job as a bathroom cleaning lady on the midnight shift and encounters a young bar patron, she begins to re-examine her life, her marriage, and her family values. Her desire to change reaches a climax.