In a straightforward yet unexceptional rendering of the life and loves of Alberto (Ben Gazzara), a writer/director approaching the hill though not yet over it, director Alberto Bevilacqua has used his own experiences to fashion a conventional tale about a search for the "perfect woman." His mettlesome neighbor Luisa (Lina Sastri) just will not leave him alone; she was the reason why he ended his marriage to Maura (Claudia Cardinale), but Alberto considers their affair dead and buried. Recently, an anonymous "dream woman" has been calling him for some seductive phone exchanges. As he searches out the identity of the mystery caller he is also distracted by Luisa who starts to insinuate herself back into his affections. Sooner or later, Alberto will just have to decide how to handle his love life, which in the end may only be mesmerizing to himself alone.

A psychiatrist treats a woman of three faces: neurotic Elizabeth, wanton Lizzie, and charming Beth.

An upscale Japanese hotel hires Mahiru Inoue, a lawyer adept at dealing with the Yakuza, to help them rid their hotel of the local gangsters so they can get a contract for a meeting of important foreign officials.

If money can't buy happiness, can it at least buy control over others? Xiang is hard-working, running a small sesame oil business. Her husband is lazy and drinks; her son is blood simple. When Japanese investors provide capital to expand Xiang's business, she has the wealth to raise her social standing and buy a wife for her son, Dunzi. When money and a forceful personality fail to bend others to her will, including daughter-in-law Huanhuan, Xiang must find another way to tranquillity.