Daniel, a young boxer on the point of winning the title several times, is beaten yet again and commits a robbery that lands him in jail. Guillermo, a self-destructive policeman tormented by his latent homosexuality, blackmails Daniel into committing a murder behind bars. In exchange, Daniel gains his freedom and returns to the only thing he knows how to do: box. But this time the search for pain to relieve the guilt has made his conservative style more aggressive. He remembers the last conversation he had with the man he killed, when he talked about his wife, and goes to meet her. Seeing danger in the relationship between the victim's murderer and his widow, Guillermo tries to stop it.

A heist film unlike any you've ever seen. In his second film (following his debut Finisterrae), Sergio Caballero plays fast and loose with all the laws of genre filmmaking. The ‘distance’ in the title is the ultimate MacGuffin - the term coined by Hitchcock for the thing the characters are pursuing, but which for the audience is completely meaningless. The fact that everyone communicates by telepathy enables Caballero to ‘speak’ a lingua franca made up of many different languages: from the Russian of the dwarves and the guard, to the German of the artist and the Chinese of the guard with the brazier.

After the suicide of her best friend, Amparo secludes herself in a mourning pervaded by doubts and memories. Daring to continue her friend’s unfinished work proves to be the only way to move on.

The fears and insecurities of two teenagers, Sara and Helena, come to light during a bike ride.

Ana recently graduated from college and is looking for her place in the world. When her boyfriend Ricardo decides to study abroad Ana's plans for the future change. She embarks on an emotional journey towards self independence.

Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.

A twenty-four-year-old former college student decides to wander the city streets after he's left homeless by his father, his only close relative. There he struggles to find a new home through random people he runs into and old acquaintances while suffering from the torments from his past and a strange disease that seems to be damaging his health quickly.

Rene gives a very valuable gift to Adela, that will allow him tell her, from a distance, how much he loves her.

Iván and Marie have relationship problems. Iván leaves Rosario without any explanation. Marie follows him, trying to save the relationship. Between the city and the countryside, the ties that they share make them grow closer and further apart at the same time.

La distancia perdida presents a composition of images and sounds that break away from their usual form to give way to a new meaning. Emigration, separation and the passage of time mark a fracture in family ties that ends up imposing itself on the films that emerge from the past.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

It is the story of a moneyless middle-aged magician whose life takes an unexpected turn when a little girl who seems to have supernatural abilities, truly "magical" powers, begins to appear frequently in his garden, causing him to rethink his profession, his vision of magic and, ultimately, his life.

In a dark and dreary near-future in Peru, a young androgenous man faces a future without his lover, who is struggling against an unnamed disease.

Ana y la Distancia tells the story of a Cuban mother, exiled in Miami, as she anxiously waits for her son who, after the anti-government protests that occurred in Cuba in July 2021, decided to cross borders to reunite with her in the United States.

Seven-year-old Jimena, trapped in isolation with her mother during the lockdown, grows weary of her repetitive virtual world. But from her window, she finds an unexpected friendship that brings new light to her confined life.

France's national anthem La-Marseillaise composed in 1792, sought to exalt the patriotic values of the soldiers who fought against Austria. The anthem represents republican values and forms. In some countries it is used as a covert policy of submission, legitimized by an ideal of equality.The film seeks to reflect on how to get to the political power bound via La-Marseillaise.

Seventeen-year-old Stella spends most of her time in the hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control — all of which get put to the test when she meets Will, an impossibly charming teen who has the same illness. There's an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction.