Zheng Yao-Xian is a CCP spy code-named Kite and lurks in the Nationalist secret service.

Sawa may seem innocent and naive, but don’t be fooled. She is a cold-blooded killer, and if you’re on the wrong side of the law, you may be her next target. Not content to just watch as the imperfect justice system lets more and more criminals go loose every day, a detective decides to train the young Sawa to be his instrument of justice.

Yasu's mother passed away when he was very young and his father abandoned him. Yasu's wife, Misako, also lost both her parents when she was young. The two spend their days in happiness, watching their young son, Akira, grow up. Unfortunately, a freakish accident occurs that results in Misako sacrificing her life to protect her son. Yasu loses himself in grief and remorse, but recovers as he vows to raise his 3 year-old son as best as possible.

Kinan once believed that her marriage soared beautifully to the sky like a kite, with her hands and her gracious husband, Aris holding it to the ground. But the winds smashed her flight when she finds out that her perfect husband is cheating on her and all of a sudden, her marriage kite lost its' way.

Years after the events that transpired in Kite, Sawa's whereabouts are a mystery. During this time, rumors of a new killer have begun to circulate the city. They call her the Angel of Death, an unfeeling assassin who eliminates her targets with grace and precision, leaving only a flurry of feathers as her calling card. What the public is unaware of is the fact that this notorious hitman is a polite young lady named Monaka. Like her spiritual predecessor, Monaka has lost most of her family, and her father's duty as an astronaut keeps him practically worlds apart. However, they are close despite the physical distances and Orudo promised his daughter that he would return. Until then, daily life for the timid and somewhat clumsy Monaka involves mostly school and her part time job as a waitress, but her nature completely changes once she receives an assignment.

A young man recalls his childhood growing up in a poor alley in Beijing during the 1950s and 1960s.

When Abby’s grandma dies, the only thing she inherits is a stupid kite. After giving it to her brother, he is mysteriously killed and the kite disappears. While searching for the truth, Abby is tangled in a strange supernatural plot, where this killer kite continues to kill. Now, Abby must string together a way to stop the kite before it blows us all away. Kites may not be the scariest monster ever, but they’re up there.

Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some (real) images.

A short coming-of-Age film about two boys, first love, and a kite that reunites them 20-years later.

A young Swedish boy tries to enjoy his birthday with his mother in the maternity ward and his father having forgotten about the occasion.

The 'At The Roadhouse' concert film follows intimate performances and sequences by The Paper Kites, where in July 2022, the band arrived in the small regional Victoria town of Campbells Creek (140km north-east of Melbourne, Australia) to transform an empty heritage building into an American-style roadhouse. Over one month, the band performed a free, unannounced residency at 'The Roadhouse' to locals and passersby on Friday and Saturday evenings, while spending weekdays working on their new record in a barn on the same property. Captured by cinematographer Keiren Watson-Bonnic and edited by lead singer and songwriter Sam Bentley, the feature-length film will take audiences on an intimate journey reminiscent of their time at The Roadhouse, along with the landscape and beauty of Campbells Creek.

A young 15 year old girl, Lamia, lives in a southern Lebanese village on the border with Israel. She is given in marriage to her cousin on the other side of the border. As Lamia crosses the barbed wire she also passes from childhood into adulthood, as brutal as our countries and the events that are to follow.