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The Killer Likes Candy
Titre original: Un killer per sua maestà ( Film )

The Killer Likes Candy
The Killer Likes Candy    12 April 1968

1968-04-12

N/A
5
TMDb: 5/10 2 votes


Shrewd and evasive ex-Nazi and top assassin Oscar Snell is determined to rub out the King of Kafiristan. Snell's sole weakness is his sweet tooth; he leaves candy wrappers at the scene of his every crime. It's up to no-nonsense CIA agent Mark Stone to find Snell and stop him before it's too late.

I Love Wrongdoing
Titre original: أحب الغلط ( Film )

I Love Wrongdoing
I Love Wrongdoing    01 January 1942

1942-01-01

N/A
8
TMDb: 8/10 2 votes


Badawyia is a younger dancer who dreams of stardom. She meets the young doctor, Elwy, and they fall in love. A director asks her to be the star of his new movie, but when Elwy asks her to marry him, his father disapproves.

To All the Boys: P.S. I Still Love You
Titre original: To All the Boys: P.S. I Still Love You ( Film )

To All the Boys: P.S. I Still Love You
To All the Boys: P.S. I Still Love You    03 February 2020

2020-02-03

N/A
6.8
TMDb: 6.8/10 2,510 votes


Lara Jean and Peter have just taken their romance from pretend to officially real when another recipient of one of her love letters enters the picture.

Puss Cafe
Titre original: Puss Cafe ( Film )

Puss Cafe
Puss Cafe    09 June 1950

1950-06-09

N/A
6.8
TMDb: 6.8/10 16 votes


Milton the cat is walking down the street and notices a yard full of delicious milk, birds, and fish not realizing it is guarded by Pluto. He shows his inferior minded pal Richard the set up and both help themselves to the goodies but are chased out by Pluto. From that point on, they try to get into the yard without waking Pluto using such tactics as sling-shooting Pluto out of the yard with his hammock and underwater diving for fish with a makeshift diving helmet.

And the Dogs Were Silent
Titre original: Et les chiens se taisaient ( Film )

And the Dogs Were Silent
And the Dogs Were Silent    27 April 1976

1976-04-27

N/A
6.5
TMDb: 6.5/10 2 votes


For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.