A journalist filming his 1st documentary when he meets CESAR MAYO, witness of the absolution of the murderer of his son. Cesar proposes that Iker film the preparation and execution of a revenge killing. Iker accepts with the goal of filming the preparation, but of stopping the crime before it actually takes place. Iker investigates the case of the murdered youth and the strange circumstances surrounding it. Meanwhile Cesar fine tunes his plan to manipulate the penal code to eliminate or at least minimize any punishment for the crime he is planning, so as to show how justice is an illusion. As he designs the plan to avenge himself on Fabian Arias, the alleged killer of his son, he uses the penal code and his plans for a legal defense to decide the form, timing and manner in which he will carry out his version of Justice.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

Ira: Directed by Jett C. Espiritu. With Ilonah Marquez, Derek Dee, Raffy Anido, Jun Arenas.

During his journey of social isolation, Irã finds himself confined. Forced to live with and endure his own company, he decides to dive into his inner self in search of making amends with his past and present.

A documentary-short on the life of Ira Sanders, a commodity trader turned educator whose first-hand experiences on 9/11 greatly influence his life.

Welcome to Irabu's Office, where you may be greeted by a man in a bear mask, holding a giant needle, who’s ready to cure your ills. Get to know the eccentric Dr. Ichirou Irabu who has a fetish for injections, and a rather strange methodology. Despite his weird approach, Dr. Irabu (who changes his appearance more than Madonna), does succeed in helping each of his patients... eventually.

On May 1, 1945 in Berlin, as the Red Army raises the Soviet flag over the Reichskanzlei, a group of Nazi officers conduct a ritual. For them, the slaughter in the city is nothing but the perfect ritual sacrifice in order to bring back the Order of the 13 Lances, a group of supermen whose coming would bring the world's destruction. Years later, no one knows if this group of officers succeeded, or whether they lived or died. Few know of their existence, and even those who knew began to pass away as the decades passed. Now in December in the present day in Suwahara City, Ren Fujii spends his days at the hospital. Every night he sees the same dream: A guillotine. Murderers who hunt people, and the black clothed knights who pursue the murderers. He is desperate to return to his normal, everyday life, but even now he hears his friend Shirō's words: "Everyone who remains in this city eventually loses their minds."

As a former manager of a top hotel, Seiji has been entrusted with the reopening of a hotel in the high plains that has been boarded up and closed for years. With a budget of 20 million, he begins to hire interesting characters to work there and rebuild the hotel. However, his attempts to get a top chef to draw customers fail. The staff members begin to worry about the hotel's future and try to leave, but at precisely that moment, an elderly man who used to be a chef at a top hotel pays a visit. Will this mean success for Seiji or just add to his troubles? --TBS