Yu was a university communications student who wanted to film a documentary about her dearest friend and her grandfather. The grandfather suffers from Alzheimer's and begins to tell a story of his late wife, who he claims was Lo-Ting, a mythological creature. Yu was drawn to Lo-Ting's story and discovered the dark side of his story.

Dennis Potter a television dramatist talks about his work, politics and his fears for both.

The actor of John Merrick answers questions about the work on "The Elephant Man"

TV program producer Phill Harris unfolds his journey of making 'River to Reef' and where has that lead him to today.

The First Minister of Defense of the Republic of Kazakhstan, General Sagadat Nurmagambetov talks about himself, about life, family, work.

Veteran reporter Roger Cohen gets a hot tip that leads him on a trail of terror. As his investigation uncovers terrifying tales of witches, demons and the walking dead, Roger gets uncomfortably close to learning the real truth behind the evil.

This is an unprecedented 9-hour interview with Bill Schnoebelen containing details of his amazing testimony of deliverance from witchcraft, Satanism and numerous other cults. It is "everything you wanted to know about cults and the occult but were afraid to ask." In his 20 years in the ministry, Bill has been interviewed countless times, but never like this! This set includes his testimony and also excellent up-to-date information on: Wicca, Catholicism, Mormonism, the Vampire Cult, Freemasonry, Satanism and much more.

Documentary series on Kieran Kelly, who became infamous as the London underground serial killer. This final episode reveals the truth about Kelly's alleged crimes in the 1970's.

When she was working as cutter for films like La Carrière de Suzanne, La Collectionneuse and La Boulangère de Monceau, Jackie Raynal was most fascinated by how Rohmer handled sound. Unusual in times of digital access to every sound bit, the director insisted on using the original sound from exact the same place and time where the scene has been shot. So every bird, every gust of wind and every tree got it’s specific sound.

Novelist K makes deals with stories until he gets an annonymous suggestion. He talks to a housewife that lives in house 1204 of ** Apartment and opens her doors only to virgin men. He soon finds out that there are plenty of horny housewives on every floor of the apartment. These women are housewives or divorced singles who can’t control their desires and end up in ‘body interviews’ with K.

"How long is a long time?" "Stromboli: Interview with a Volcano" is a conversation with the youngest member of the Aeolian family Stromboli (one of eight volcanic islands off the coast of Sicily), the lighthouse of the Mediterranean. Spagnuolo asks questions to the volcano and the eruptions answer. In the artist’s own words: "I slept at the top of the volcano and fell asleep to the sound of it erupting, whispering pillow talk. In the morning I went and made the film, asking questions without the need for an answer. When I arrived back at the beach at lunch time I swam in the sea and napped on the black sand. My mind unfolded in the most fluid way for a long time. This film attempts to convey the feeling." The film is partof the project Volcano & Regret.

17 of the most dangerous killers are narrowed down from a universe-wide casting call to be interviewed for job placement. A rogue assassin from the future, Antevorta, uses his specific skills to restore peace to humanity.

In August 1977, strange things started to happen in a quiet north London suburb. This unusual, terrifying activity lasted several months and became known as the Enfield Poltergeist. Among those who witnessed this apparently paranormal activity were journalists and the police. Some of the evidence is controversial. But 30 years on it remains the best-documented and most puzzling case of its kind, and may be the first time that a spirit voice has been captured on tape.

During a tour with my films in Spain last spring, I had the pleasure of being honoured with the attention of three young people who offered me the opportunity to participate in the following interview. I was touched by their seriousness, but also perceived something out of the ordinary in their project. They seemed to have no common thread and their knowledge and respect for the subject was surprising and inspiring. How could they know so much about the American avant-garde. We arranged to meet in the lobby of my hotel on Saturday a little after breakfast.

Laundrette was the first of seven collaborations between director Stephen Frears and cinematographer Oliver Stapleton. In this engaging interview, Stapleton discusses his experiences on set, including how he approached the film with a mixture of stylization left over from his experience on rock music videos and an attempt to be naturalistic and invisible.

An exploratory self-portrait claymation. Staged in a white studio-like setting, the film follows the director as a clay figurine being interviewed about his personal life, and career as a filmmaker.

A college student is graciously allowed an interview with Satan himself.

This rare interview with Maciunas, the founder of Fluxus, took place a few months before his death in 1978. Maciunas discusses his famous chart, "Diagram of Historical Development of Fluxus and other Four Dimensional, Aural, Optic, Olfactory, Epithelial, and Tactile Art Forms," tracing influences ranging from John Cage and Marcel Duchamp to vaudeville and Spike Jones. This work offers invaluable insights into a celebrated artist and the forces that shaped the diverse Fluxus movement.

“The first mistake of art is to assume that it’s serious.” (Lester Bangs, quoted here without the permission of the filmmaker)