Alistair, a British representative for a wildlife conservation agency based in Karachi and his Jewish-American wife Hannah have been unsuccessful at conceiving a child. Over time, the desire to have a child begins to consume Hannah and she persuades a reluctant Alistair to go with her for three days to a fertility shrine. After a ceremony during which Hannah converts to Islam and coaxes Alistair to do the same, she becomes pregnant. But Hannah’s joy at the discovery of her pregnancy is overshadowed by worsening relations with Alistair who has started an affair with their friend Samira and tensions begin to mount when eunuchs from the shrine start to harass the couple.

In Montréal's east-end, a group of over-grown kids, disappointed in their lives, spend their time hanging out on street corners, patronizing bars and frequenting seedy apartments and back alleys.

John Duns Scotus was a Franciscan friar who provided the theological explanation of the Immaculate Conception of Mary in the early fourteenth century (500 years before it was proclaimed as a Dogma of Faith of the Catholic Church). "Duns Scotus" chronicles the life and teachings of the blessed in the years between 1303 and 1305. The film also offers a brief look at the childhood of this man and his will to join the Franciscan Order since childhood

After he loses his high-paying job, Dory takes a gig as a night janitor in order to pay rent. Alone late at night inside a market research firm, he soon discovers the company is experimenting on their other janitors ...

In 1985, the village of Ballinspittle in Ireland was the site of a mass visionary experience. Worshippers at the local grotto saw the statue of the Virgin Mary come to life. Soon, thousands made the pilgrimage and—for a summer—the phenomenon gripped the country. Almost forty years later, a handful of local devotees remain, including the statue’s dutiful caretaker Patrick Joseph Simms. Through Simms and a chorus of locals, the film documents both the mystical landscape of rural Irish Catholicism and a terrible darkness beneath its surface.

An intimate, eye-opening account of a lesbian baby boom in Canada during a period of rapid legal reform and social change. It is told entirely through the hilarious, rueful, self-reflective words of sixteen diverse parents (of newborns to six-year-olds) and would-bees, living in Toronto and London, Ontario. They take different sides on every controversy (known donors v frozen, liking clinics or hating them, how much biology matters, being ‘two mommies’ or ‘a mom and an other parent’, seeing homophobia everywhere or nowhere), but they are all passionately articulate about this strange new world of queer family-making.