After the events of the first movie, the "immatures" go on a trip to the Greek island of Paros.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

Bari, a city caught in the relentless economic crisis. Ivo is an agronomist, but the lack of opportunities pushes him to accept a job in the fertile region of Banat in Romania. Clara has just ended a relationship and is about to lose her job at the Bari harbor. Ivo and Clara meet by chance and seem to immediately understand each other. They spend only one night together before Ivo's departure, but that is enough to create a bond and wanting to meet again. When Clara visits him in Romania, they fall in love. But is exile their only way to happiness?

The charming Adriana gets sick after her husband's death. Her brother-in-law takes her on a journey to meet a doctor, while love overwhelms them.

On board a train on its last trip, five people know each other, collide, make friends and solve their personal issues finding out what's really important in life.

17th-century noblewoman Porzia leaves the cloister she was raised in to marry, but an ambush leaves her with only humble coachman Bartolo by her side. While venturing into dangerous and unknown lands, the two grow increasingly close despite their opposite backgrounds.

Interconnects the life of four Puerto Rican actors and a Colombian director while they participate in a Theater Improvisation Festival. They will be forced to reflect on their future in art amid economic crisis, global warming, and technological dependency.

Two YouTubers find themselves trapped inside a fantasy videogame. They have to restore peace in the kingdom to return home.

A short documentary about The Leopard.

It is the first time that the journey to Reims to Rome is represented and this happens on a particular date two days after the death of Philip Gossett, the great musicologist who succeeded in reconstructing this mysterious score in the eighties. The theater has dedicated to him the presentations in progress with a dutiful tribute. Approximately 50% of the music of the Journey to Reims will merge a few years later in Le Comte Oryand for the cases of the lot of the autograph material that was not reused, it was discovered by Gossett in Rome at the Conservatory of Santa Cecilia in a fund never analyzed before.

The Gran Teatre del Liceu’s 2017/2018 season opened with Rossini’s dramma giocoso Il viaggio a Reims, the “event piece” written exclusively for the coronation of France’s Charles X in Reims in 1825. Apart from the Rossini Opera Festival in Pesaro (one of the co-producers), this otherwise infrequently performed work has received a bright yet perhaps over-minimalist staging by Emilio Sagi. A fixed set portraying the sun deck and furnishings of a spa hotel (using only the stage front) provides the opera’s eclectic group of European aristocrats an unexpectedly informal aspect from the outset, replete with bathrobes, towels and slippers. This is novel, but confuses the audience as to who is who in the story. Not until the end of the second act, an hour and a half into the performance, does the cast change to more formal dining attire and the audience has a minimally clearer idea of the different nationalities (and idiosyncracies) portrayed.

At the Inn of the Golden Lily, the most illustrious figures in Europe converge to celebrate a royal French coronation. But between lost luggage, missing horses, and some amorous antics, nothing will happen as planned. Il viaggio a Reims was Rossini’s last Italian opera and the first he wrote in France for its Paris premiere in 1825 as part of the festivities for the coronation of Charles X. Conceived for the greatest voices of the time, the opera requires an exceptional cast: three prima donna sopranos, an alto, two tenors, and four baritones and basses have leading roles. For Rossini Opera Festival’s Accademia in Pesaro, Il viaggio a Reims has become an annual summer showcase for the next generation of bel canto singers.

At the Hotel of the Golden Fleur-de-lis, the most important people of Europe are on their way to the coronation of French king Charles X. But the luggages are lost, the horses are missing, and the love stories are taking the little hotel by storm... And no one will get to Reims!