Love is blooming at Sakuragaoka High School. Natsuki Enomoto has finally mustered the courage to confess to her childhood friend, Yuu Setoguchi. However, in the final moments of her confession, an embarrassed Natsuki passes it off as a "practice confession." Oblivious to her true feelings and struggling with his own, Yuu promises to support Natsuki in her quest for love. While Natsuki deals with her failed confession, fellow classmate Koyuki Ayase struggles with his own feelings for Natsuki. Despite his timidness, he is determined to win over her heart. This movie follows Natsuki as she dreams of one day ending her practices and genuinely confessing to Yuu. Meanwhile, close friends also find themselves entangled in their own webs of unrequited love and unspoken affections.

A beautiful young concert pianist is torn between her attraction to her arrogant but brilliant maestro and her love for a farm boy she left back home.

A new mother must defend her family against supernatural forces while her husband is out of town.

The Deadnames discuss their relationship with their gender identity and how that links to their music

In this experimental short, the artist is exploring the notion of identity and belonging using as a starting point the last phrase from Ray Bradbury's allegoric book "The Martian Chronicles". The environment where the short takes place offers glimpses of a labour past that can be mistaken as an otherwordly space. The artist chooses this location to set the story of an astronaut while challenging the notions of extraterrestrial migration, ecology and imperialism.

"I wash my body as a ritual of labor and self-care. I do this on the Richmond Slave Trail and the African Burial Ground in Richmond, VA, and place my body in these locations to comment on notions of safety within public and private spheres. The spaces in which Black people and their bodies should be safe and cared for, yet are vulnerable and exposed. The use of oranges stems from the Latasha Harlins Murder of ‘92 but becomes a metaphor for talking about the erasure of women of color throughout time and space."

Senior year of high school takes center stage as Lara Jean returns from a family trip to Korea and considers her college plans — with and without Peter.

After tragedy strikes, an unlikely young hero takes her rightful place among the Power Rangers to face off against the team's oldest archnemesis.

Leaving her provincial home, teenage Mutsuko arrives in Tokyo by train to take a job in a major automotive company but finds that she is employed by a small auto repair shop owned by Norifumi Suzuki. Suzuki's hair-trigger temper is held somewhat in check by the motherly instincts of his wife, Tomoe, and his young son Ippei immediately bonds with Mutsuko as if she were his older sister. The Suzuki shop lies almost in the shadow of the Tokyo Tower as it rises steadily above the skyline during construction in 1958.