Yoo Jae-suk reunites the producing team of Infinite Challenge and presents you How Do You Play? The Indefinitely expanding YOONIVERSE, based on Yoo's blood, sweat, and tears, will entertain viewers at home. Let's follow Yoo and his friends' new projects every week.

How do you like Wednesday? was a Japanese television variety series that aired on the HTB network in Hokkaidō, Japan, and on other regional television networks in Japan. The program debuted on HTB on October 9, 1996. The series was one of the first local variety programs to be produced on Hokkaido; prior to this series' launch, local variety programs in Hokkaidō were virtually non-existent. The program also had a significant influence on other local programs in other regions in Japan, most notably Kwangaku! in Kansai and Nobunaga in Tokai. The series achieved a record 18.6% viewing share on December 8, 1999, the highest share for a late-night program on a local TV station. Production of the weekly regular series ended in September 2002, though new limited-run series were produced on average of every 18 months; the latest series was shown on HTB in late 2005, eight episodes in length. Most of the series have been rerun under the names of Dōdeshō Returns and Suiyō Dōdeshō Classic.

After winning the lottery, François goes to a bar in Pigalle and offers one hundred thousand Euros per month to a prostitute named Daniela to live with him as his wife until his money runs out.

Following their marriage, Ian and Lisa move back to the village where she grew up, a village still dominated by her family. In order to try to fit in, Ian takes a job as the village photographer, a profession for which he is not really cut out.

Gigliola is a young and humble Neapolitan swimmer who will compete in a competition in Spain and finds herself falling for the fiance of her best friend. But when they come to visit her in Italy, she pretends to be rich, with the complicity of their parents.

Director Billy Wilder is interviewed by German critic Hellmut Karasek and director Volker Schlöndorff about his movies.

How do you like Iceland? is a documentary about foreigners' perception of Icelanders. The film is mainly based on interviews with 37 foreigners from 9 countries who come from the world of art, sport, business and politics. Many humorous questions and interesting topics arise when the Icelandic nation is examined through the eye of the foreigner: Do foreigners think of Reykjavík as Bangkok of the north? Are the Icelanders an isolated and inbred nation? Or rather special and like no other? Is Icelandic inventiveness fit for export? Is the "pure and unspoiled" nation itself environmentally friendly?

After being cut from the USA softball team and feeling a bit past her prime, Lisa finds herself evaluating her life and in the middle of a love triangle, as a corporate guy in crisis competes with her current, baseball-playing beau.

About prostitution in late USSR. Who are they? Why are they doing it? Are they ashamed? What do foreigners feel and want from it?

A parody of Manzoni's canonical 19th-century novel "I promessi sposi" (The Bethroded) from the point of view of the villain Don Rodrigo, who, however, in this upended version of the story is the victim rather than the perpretator of the violence.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Lydia and Vincent Lufft adopted the now 10-year-old Marie, so Vincent has better career prospects at the very child-friendly Henderson Games. But Marie forges with her friend Nick a plan: they want to fake a kidnapping to get away from the adoptive parents. To find the alleged abducted Marie Max Hoch, expert of a security company, consulted. Max himself does not want to have children unlike his girlfriend. He soon finds out that the abduction can only be faked. However, when Heinz Michelin, a friend of the family who wants to pay Marie's debt back with the reward, urges to help with the kidnapping, he brings with him two real hijackers. Max brings Marie to his unsuspecting girlfriend Karo to protect her. In the meantime, Max is himself suspected by the police to have kidnapped Marie. Only with a trap can he prove his innocence.

This movie depicts two distant worlds that are almost untouchable. One is a world of Balkan countries where professionals are negligent, stubborn and unreliable. The other is a world of “unbearable routine and pose of the Borganism of the European administration”. Those who receive European money can hardly cope with the administrative obligations required of them. Those on the other side cannot stand the casual attitude of the beneficiaries. What is it that the EU really wants us to change so that we can become the part of the “European family”? This film answers this question through a moving personal story. It’s the personal story of all of us.

For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.

From the childhood Natasha Korolyuk showed talent for music. She graduated from the conservatory in a small town and was ready to begin new and exciting activities. But her life plans changed when she met pianist Alexander. She married him and moved to Moscow. But soon the girl realizes that her husband is the usual mediocrity and seedy bohemian who wants to live idly. Active Natasha does not want to cast in lot with this man and returns to her homeland.

The brother of a delinquent schoolboy falls in love with his teacher and intrigues to make him reciprocate her love, and succeeds.

Viktorija is a homeless girl who explores abandoned buildings and takes photos of them. She is looking for a place to stay – with running water and a warm bed. Her husband is in prison. When he gets out, they have big plans: to find a place to stay, to get a job, to stop using, to start a new life. Will they make it? Through their story, the film talks about universal human desires: to be loved and to belong – someplace, with someone. But first we have to love ourselves.

How Do You Turn This On

A story about a brave Soviet spy working behind the enemy lines during WWII.