Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

Yasemin hits her sister's face with the comforting lie they believed at her uncle's funeral. He knows he cannot heal, so he will stop treatment and will not torture himself. The sister, who refuses to accept this, realizes that she is struggling with the sense of ownership after a while. Her dilemma will be resolved with Yasemin and her relationship with the cactus they picked up from the funeral home.

A close look at nature.

After the collapse of the Soviet Union, Natasha immigrates as a child with her family to Germany. The film begins today, twenty years later, when Natasha returns for the first time to her unknown home. Natasha's time in Baikal Port is mainly structured through her everyday encounters with the people who live there. In different situations, she meets them and gets into conversations about employment and living conditions that are still marked by the effects of the Perestroika. While Natasha gains these intimate insights into different ways of living, she reflects on her own position and tries to make a connection with this place, which is a part of her identity. The cinematic drawing of intimate portraits of people living in Baikal Port as well as Natasha’s play- acting as a returning, identity-seeking figure is accompanied by an ever-present recording camera.

My Small Doll House features a woman’s fear, fantasy, and anxious psychology toward the world by contrasting a doll and a girl playing with it in a box. The small box is a safe place hidden in her deep conscious world, but she must open it and step out of the world.

The story of two youngster girls who became the victims of female genital mutilation.

Ofelia is painter who struggles with her work as she lives in a stagnant relationship with her husband. The fact that he goes out everyday and she stays inside without being able to paint, only makes her feel more alienated. But one day she recieves a strange phone call, which will make her face the inner conflicts she’s trying to hide.

From Brazzaville to Barcelona, a journey around the world in search of unique and diverse voices with the purpose of celebrating the collective dimension of life through words, music and the movement of bodies.

The son of a rich soap manufacturer gets himself in predicaments trying to prove to his father that he's responsible enough for marriage.

The Francs with their daughters Olina and Jirina are building a villa in the village of Rezkovice. Father Franc (Vladimír Mensík) doesn't allow himself a minute's respire and restlessly forces to work his wife, both daughters and Zdenek, Jirina's suitor. Zdenek does not protest against it and, in addition, he is skillful. On the contrary, Olina's boyfriend Libor is worse at work. He studies at the Technical College and he does not succeed much in grasping the building handicraft. Franc, proud of his pursuits, decides that he will arrange the wedding for both daughters and then hand them over the key of the villa in which both pairs have luxuriously furnished flats.

A portrait of Benny Fredriksson who for 16 years was CEO of Kulturhuset / Stadsteatern. He also had a background as an actor and director. In connection with a media hunt he resigned and later took his own life.

Two art students face the need to redefine their position after the 1968 Movement

The room laundering where she was a "poor girl" is to move into a house or an accident property for a certain period of time, and to eliminate the obligation to notify the accident property ([Instruction of important matters]), and to live in that room free of charge. It is said that you can get rewards from suspicious real estate companies and owners. Kureki decided to live in the room where the murder occurred. The former resident was a woman who was an office worker and was stalked by a certain man. He seems to have consulted the police several times, but he was repeatedly stalked by a man without any proper measures, and it seems that he was finally killed. One night, about two months after he started living in the room, Kureki was finally attacked directly by a spirit.

Soldiers ambush a house.

Vienna in the year 2032: »Friendly greenish settlements line the city«, skyscrapers are growing in the city center, »but old Steffl is still there and takes on all the high-rise buildings«. In the archives of the City of Vienna, the old archivist tells his grandson how old Vienna tried to oppose the new era a hundred years ago. "Old Vienna" is a conservative, anti-progressive place here, from which social democracy has made a "red island in the sea of capitalism".

Documentarian Aivars Feimanis lived on the Liv Coast, in Melnsils. It's home to Latvia’s ancient indigenous Livs - a small Finno-Ugric people of the North Kurzeme coast, who preserve their unique folklore and traditions to this day. This film is about them.

Three adult brothers, Hein, Pé and Roemer, live with their elderly mother Hillie. This eccentric family lives in an old, crooked house that is on the verge of taking its last breath before toppling over. Every year, it is pulled straight again by its four inhabitants. This procedure has worked for decades, until suddenly Mother takes off to the sunny South. The nestlings are left to deal with each other - and themselves. As the relationship between the brothers gets more distorted, the house starts leaning over faster as well.

Effort to construct an audio-visual dance between the body of an 90-year old man and the body of his house, that has become an extension of himself.

Under one roof, the sequel to a sexy drama with naughty delusions