It is the 1948 War of Independence. Lolek, a young Holocaust survivor, arrives in israel and is thrown in the middle of the desert. A stranger to the language and the new identity he is giver, Lolek is assigned to an isolated post under a brutal commander and the burning sun. with the unrelenting sun and the bleak desert landscape as the backdrop, we are exposed to a modern parable of Israeli identity and meaning.

Brussels in the year 1568, as the Flemish people are fighting against the tyranny of the Spanish occupiers. Led by Count de Rysoor, the revolt against the ruthless Duke of Alba, is meant to help Prince William of Orange to get into the city and come to power. Now, the count's lieutenant, has an affair with Elisabeth, Rysoor's wife. For the time being, the count, who thinks of his homeland first, turns a blind eye. But such a relationship might well undermine the whole rebellion movement.

A short film about a dirigible.

In August 2020, people gathered on the steps of the Belarusian State Philharmonic in Minsk to protest against the fraudulent presidential election. Holding signs that read "Our voice has been stolen", they stood up to the violence by singing together. Although the authorities pacified this spontaneous gathering, musicians soon began to appear on protest marches in shopping centers and subways, each time inspiring people with songs about the dignity, courage, fate and faith of Belarusians. This is how one of the symbols of the Belarusian resistance movement - the "Free Choir" - was born .

A village, in the hearts of mountains, is totally empty. Still it is not. The village comes to life back with past voices. There is no people in the village. But their voices exist. There are no animals and no living things. But their voices exist. The past voices, together with scenes happenning right now, create memory about what happened there. It is the story of people, animals, nature and all the living things of a village before it is ruined.

Based on a true story, the film presents events similar to those in the Lukić indictment.

A social-political comedy play, considered one of the most legendary critical and purposeful Arab comedies.

The Homeland of Electricity, Larisa Shepitko's adaptation of an Andrei Platonov story, was one of three short films collected in an omnibus work (Beginning of an Unknown Era) commissioned to honor the 50th Anniversary of the October Revolution. Censors eventually shelved the film and it would not see the light of day until well after Shepitko's death, during Mikhail Gorbachev's perestroika.

Patriotic Salim Shaheen film from Afghanistan

Parallel to numerous celebrations all over the country, the care recipients of a Moscow social support center honorably execute President Putin's decree to ceremonially celebrate the 70th Anniversary of the WWII Victory Day. In simultaneous interviews they plain-heartedly explain their vision of the Great Victory: do Russians believe in a war? Do they want a war? What feeds their patriotism?

Documentary about a Syrian refugee family that just arrived in the Netherlands.

In the autumn of 1942, a major railway sabotage took place in the frontline area: undermining the Soviet military echelon carrying equipment and soldiers to the front. The instant reaction of the NKVD and military counterintelligence gives its results.

A Japanese silent drama about two farmers

Claudio Monteverdi's operatic adaptation of this story from Homer's The Odyssey receives a modern and distinctive staging in this 2002 production directed by Humphrey Burton for Les Arts Florissants. Penelope Marijana Mijanovic is left to her own devices when her husband, the heroic Ulysses Kresimir Spicer, goes off to fight in the Trojan Wars. After many years alone, Penelope finds herself attracting a number of suitors who wish to claim her hand; however, what she doesn't realize is that jealous Ulysses has his ways of keeping an eye on her. Production of the Festival d'Aix-en-Provence; from the Theatre du Jeu de Paume.

Right-wing populism is spreading through Western Europe like wildfire. It is most popular in quiet, white neighbourhoods where people are shielded from different cultures and lifestyles. In this unscripted documentary, Sam Peeters portrays an ironic caricature of life in the Flemish suburbs, which reflects the current European zeitgeist.

Vitaly and Victor have been friends all their lives. They were born in 1936 in the Kyrgyz USSR, survived the famine during World War II, graduated from school in the year of Stalin's death, and left for central Russia to build communism. Now they are over eighty. The system to which they devoted their lives collapsed, the homeland became a separate country. Together they decide on a desperate journey to Kyrgyzstan to find the graves of their parents and take stock.

A Swiss patriot lives an orderly and satisfying life within his modest four walls. Everything seems harmonious until the day a foreigner moves in next door.

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.