A small town in Portugal becomes engulfed in a web of political intrigue when a young engineer is recruited as a KGB spy in this historical thriller.

In a small Breton town, by the water, in a close-knit community where everyone knows each other, Gloria, a lawyer and mother of three on maternity leave, sees her daily life shattered when her husband disappears from overnight, without explanation.

When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. In possession of a book that the gangsters want, the pair go on the run in New York.

Gloria never imagined that an audition for the music producer Sergio Andrade was going to change her life so drastically. King Midas not only brought her to stardom, but also to a dramatic story of love, heartbreak and betrayal. Based on the life story of pop/rock singer Gloria Trevi.

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

Gloria is an American situation comedy that lasted one season on CBS, from September 1982 to April 1983. It starred Sally Struthers, reprising her role as Gloria Stivic, the daughter of Archie Bunker on the hugely successful 1970s sitcom All in the Family. Gloria was a spin-off of Archie Bunker's Place, which was a continuation of All in the Family.

After serving a prison term for her boyfriend, a streetwise, middle-aged moll named Gloria stands up against the mobs, which is complicated by a six-year-old urchin with a will of his own, whom she reluctantly takes under her wing after his family has been gunned down.

Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.

Four friends swear the solemn oath.

It is late 18th century in Venice, and in a convent school for girls Teresa, a girl with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of music that is pop, bright and bold, and challenge the ancient and rigid system.

Gloria is taken by a man to a phobia treatment institute. However, after breaking the institute's rules and being judged for her actions, she meets Pepe; a man who falls in love and creates an obsession with the girl, embarking on a limitless journey.

Two ten-year-old children, Gloria and Jacques, meet at the former's birthday party. It is love at first sight and they vow eternal love. Unfortunately, the First World War breaks out and they are separated. The people around them do not understand the deep feelings that link them to each other. When they meet again after the war, Gloria has become a cabaret dancer whereas Jacques has married in the USA. Nothing seems possible between them any longer...

From the writer of such acclaimed plays as Everybody, An Octoroon, Appropriate, War and Neighbors, Gloria is Mr. Jacobs-Jenkins’ funny, trenchant and powerful play that follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn 30. But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

This scalpel-sharp dark comedy explores how we cope with trauma and the tales we tell each other to escape. In the dog-eat-dog office of a New York magazine, twentysomethings Ani, Dean, and Kendra compete for a book deal to kickstart their careers. But after tragedy strikes, which one of them will write the story?

In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a videographic display of textual material. These two formal components (the film and the texts) in turn relate to a nineteenth-century figure, Frampton's maternal grandmother, and to a twentieth-century one, her grandson (filmmaker Frampton himself). In attempting to recapture their relationship, GLORIA! becomes a somewhat comic, often touching meditation on death, on memory and on the power of image, music and text to resurrect the past.