A movie about friendship, the search for an identity, the whirring of a camera, the clattering sound of a projector and the feeling of doing something right. A film showing that one can attain happiness. Just like that.

A short animation in which characters from 39 paintings in the Frans Hals Museum move from one artwork to the next.

Out of Frame (1996) plays with your expectations and the way how we are used to “read” pictures and their framing. A woman is rubbing herself against a white wall, making the typical noises of having sex from the back, and Onishi takes his time to open the framing and then showing them in explicit positions. You don’t see the penetration but watch the rhythm of two bodies, listening to it, too. The framing by windows will allow you some rest. The man is putting on his clothes and closing the door while the woman is looking out oft he window. Onishi’s typical black inserts again, and we watch the same couple on the toilet, where he is putting her hands into hand-cuffs. After that he is showering her carefully, and she remains in hand-cuffs while they are having sex again under the shower. He is using his revolver then to free her from these metal things. And the toilet is a calm place when she comes back after strangling a young man on the street.

Nearly century-old history, Brazilian animation brings rich and stimulating stories and characters that built the path until nowadays.

Made from fragments of a found porno film, where the frameline, which divides the images, becomes a mysterious plastic form, struggling in the center of the screen, vertically and horizontally. The blade of the shutter sections the bodies of eros, according to the desires of the film image and its frame.

Yudha Chitra (Frames of War) is a stark reminder that peace has not yet come for those directly affected by Nepal’s 11-year conflict. The film brings us the voices of those whose relatives were killed or disappeared or who were disabled during the conflict. Suffering and pain reside in individuals and individual bodies, which we often forget under the collective ‘people’. The film excavates individual stories while accompanying a traveling exhibition of A People War that in 2007-2008 traversed the country for more than three months and was seen by more than 300,000 people. The film also reminds us that public acknowledgement of what happened is a precondition for healing.

During the day, Oxana paints frames as a man; at night, she puts on her female skin. Oxana is a transsexual living in Moldova, where even expressions of tolerance towards sexual minorities can be dangerous.

In Greece the advertisement in exterior billboards has been recently forbidden. As a result there are hundreds of blank billboards that don’t show any messages. But the empty frames are now the message. And Greece is out of frame.

Life story of Lidia Jovanovic. the wife of Blazo Jovanovic, who was a Montenegrin politician and revolutionary army commander in the Yugoslav Partisans. He served as the first President of the People’s Assembly of Montenegro and was also the speaker of the Montenegrin parliament.

Godina drove to the north of Serbia, Yugoslavia's Vojvodina province, and shot several folk singers and their families, introducing a wealth of Yugoslav folk music.