A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.

Beate is an ambitious executive working at Europa, a mysterious corporation looking to expand into the Balkans region. Seemingly promoting philanthropy and investment in underdeveloped areas, Europa actually needs to buy off lands from locals in a remote valley in Southern Albania using Beate as the main negotiator for the ambiguous mission. But things don’t go as planned when she is challenged by Jetnor, a stubborn and spiritual farmer who refuses to leave the land of his ancestors.

The streets where I live are the same of those I was born. And before it, so was my mom. And before it, my grandparents. I draw these streets: there is no place like our home.

Two lovers appeal to each other in the empty streets of Madrid, lost in the first dawn of 2018. Both of them cross a mountain tunnel the last night of 1999. They keep the same age, but their names are different. They want to get to a rave party where hundreds of youngsters like them will welcome 21st century. The car stops at the entrance of the woods, among the far music echoes, but the party and their lives empty out in the middle of a deluded night. In the first morning of the new millennium, they will contemplate the future. They will see Europa burn.

Enveloped in pure colors, elusive existence and frigid weather events, an imaginary landscape resonates with the constant state of perceptual ambiguity. Through the accumulation of time, the imagery creates a threshold between reality and imagination.

Europa is a 12-minute anti-fascist film made in 1931 in Warsaw, Poland by surrealists Stefan and Franciszka Themerson. The film is based on Anatol Stern's 1925 futurist poem Europa. It uses collages and photograms, and articulates the sense of horror and moral decline its makers were witnessing. The film, while long thought to have been lost, is considered an avant-garde masterpiece.

Pedro, a foreign worker in Switzerland, learns that his mother is in hospital in Spain. Isolated from the world on his employer’s farm, he is asked to take one of the cows to slaughter before leaving for his country. Waiting for news from Spain, he arrives late at the slaughterhouse. At this same time, his brother calls to tell him that his mother has died. His world collapses and, still with the cow, he begins a wandering in which he will manage to accept his loss.

I remember Europa and I were not having a great time.

For the film poem Telemach Wiesinger develops his own image of Europe. In this series, featuring sequence shots of approximately 2,5 minutes in length, France, Ireland, Germany, Greece and Switzerland are in the field of vision. Chapter Seven was shot together with the director Daniel Schmid on the roof of his parent's hotel close to the sky, his last presence in front of a camera before his death.

A cartoon dialogue between Zeus and Europa explains the lessons of the past and views the future with hope. The six European Community members have pooled their economic destinies, wanting to become a healthy, strong family.

2074. In the wake of a mysterious global disaster, war rages between the Tribes that have emerged from the wreckage of Europe. Three siblings from the peaceful Origine tribe are separated and forced to forge their own paths in an action-packed fight for the future of this new Europa.

A crew of international astronauts are sent on a private mission to Jupiter's fourth moon.

In the eight-part series Allah in Europe, Jan Leyers is looking for the face of Islam in Europe. Is there such a thing as a European, enlightened version of Islam growing and is that what Muslims themselves want?

A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a 'war hero' and eventually becomes a Hitler Youth.

Portraying the last days in the life of philosopher Walter Benjamin (1892–1940), whose writings such as The Work of Art in the Age of Mechanical Reproduction have become of seminal importance in cultural criticism, Ferraro not only deals with a historical and philosophically fascinating subject, but has also crafted a landscape film of immense beauty.