Anne is an attractive woman on the cusp of middle age trying in vain to divide her time fairly between her demanding job as a television presenter and her family. Her colleagues and friends have similar problems though.

Rose Chaperon is asked by her confectioner mother Mathilde to bring jewels to her sick grandmother, Madame de Mergrand. But Hugues, the latter's brother, is prepared to do anything to get his hands on the loot. To this end he hires a villainous young man, Jean-Louis nicknamed Loup, to do the job. Will Loup engulf and devour Little "Rose "Riding Hood?

Ah Huang, Ah Qiang and Ah Hui have been friends for as long as they can remember. When Ah Huang's mounting debts drive him to desperate measures, Ah Qiang and Ah Hui agree to lend him money. He uses the money to build an illegal business. Even after the business become successful, he refuses to repay the money to his friends. However, when the business collapses, Ah Huang is forced to question everything as his family, friendships, and remaining money are all threatened.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

Cameron Kletke depicts an in utero skirmish between twins with spacious hand-drawn animation, employing watercolours and pastel to plunge us into an intimate watery universe where the umbilical cord becomes a prop in a comic battle of wills. Those little elbows can be sharp.

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

Sebastian (Rutger Hauer) sets up an ingenious plan to transform a woman from an unknown to a star by appearing together in the television show "Hidden Camera Live".

1990 Pinku directed by Nitta Sakae.

“Through the use of violent symbols (loosely associated with Artaud’s notion of cruelty), some of the consequences of the current social organization in Latin-America are exposed: the alienation, marginalization and reification of men, and the continuous presence of imperialism, considered as rape.” (UU)

The incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York. Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.

The 12 years old well-bred Lonnie meets the impudent Karen on the street. They spend some time together and Karen teaches Lonnie some of her favorite occupancies, like make-up, shoplifting, skipping school and lying to the parent about it, but confessing to the priest later. But Karen also learns some honesty from Lonnie. A film about social differences and growing up.

With a mixture of documentary and fiction - "Klassens Z" wants to show how it is to be a roma in a Swedish school.

This documentary illustrates how the participation of women in open urban spaces is marked by insecurity and harassment, explores the public space as a place of violence and analyzes how campaigns promoted by activists and feminists have changed power relationships between men and women in Brazil.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

An uplifting profile in resilience and self-belief that reveals the inside story of one of the most inspiring and unexpected comebacks in sporting history.

A commentary on the management of public opinion, the spread of fake news and the rebellion of the individual against the general. Dawid, a former war reporter, has 24 hours to write an investigative report about the death of a couple of refugees from the Middle East and a Polish soldier on the border with Belarus. During the investigation, however, he discovers that the official version of events presented in the media differs from what actually happened. The pressure to write a fixed version is mounting.

Christoph Sieber's Award-winning cabaret artist, comedian, writer and presenter. He is a regular guest at the "Satire Gipfel" (ARD), in "Die Anstalt" (ZDF), the "Mitternachtsspitzen" (WDR), with "Volker Pispers & Gäste" (3sat) and other in many cabaret shows on television. With razor-sharp wit and mind scant the cabaret artist the niches of everyday life and thereby pulls every seiners comedic art. In "Alles ist nie genug!" Christoph Sieber is seriously funny and sincerely angry. He shows a love lyrical and sometimes presents wrapped in candy wrappers cynicism that mention the audience concerned and the next moment Lets laugh.

The film expresses the difficulties artists come up against whenever they try out ‘paths’ that are outside the ‘system’. All this is represented through this project and, therefore, through the realisation and use of a tool (Il Commutatore, 1970) with which it is possible, in successive phases, to supersede the physicality of the city and to project oneself towards the ‘void’.

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.