Jean-Martin Fortier and Dany Bouchard support two families in their first steps towards food self-sufficiency, eco-responsibility and local shop.

A garden made with plants and flowers on a roundabout in the center of Rosario serve as a reminder of Gerardo Pichón Escobar, municipal worker murdered in 2015. The pain and anger sprout into love and friendship, in a scream for justice that lives and flowers for Pichón.

Short movie starring Marcel Marceau.

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.

Children’s performance in Ukrainian costume in the garden of the Villa du Méridien in Cannes, next to Lavanchy-Clarke’s Villa Belle Rive. In 1904, Russian officers wounded in the war with Japan were convalescing in Cannes.

The Yafar live in the province of western Sepik in Papua New Guinea, practicing an itinerant slash-and-burn agriculture. Here the inhabitants of the village make a new clearing in the forest.

Focused on his neighbours, Le Ciel dans un jardin continues the conversation, begun with the previous film, which is imbued with melancholy in the face of the impossibility of returning. This future mourning gives a particular colour to his observation, a combination of indifference (the repetition of the days governed by the principle of subsistence) and acuity (the contemplation of small things and of lost moments). The value of the shots finds itself enhanced, from the tactile close-up that captures the elementary actions—cultivating, eating, smoking—to the widest frame, espousing with a final gaze the frontiers of world that is about to be incorporated by the filmmaker as an interior landscape, a mental object. - Emmanuel Chicon

The title Un enano en el jardin is an allusion to the Super 8 format and the setting where the actions that comprise the film unfold. A catalogue of extreme experiments with the mobility of the camera coordinated with brief improvisations by the Brazilian dancer Alice Bloch. It was mostly filmed with an Instamatic m22 camera (possibly the simplest and lightest Super 8 camera, with a fixed lens and manual diaphragm), so resistant that it functioned in conditions that would be unthinkable with a more complex camera, rotating at high speed around the optical axis or tied to a 35mm reel rewinder.

Two young girls in Ukrainian costume perform a dance near a palm tree in a garden.

England, 1960. The Crown sues the publisher Penguin Books in order to ban the publication of Lady Chatterley's Lover, a novel by the British writer D. H. Lawrence (1885-1930), published privately in Italy in 1928, which celebrates nature and deals with sex without taboos.

A seemingly ordinary British couple become the focus of an extraordinary investigation when two dead bodies are discovered in the back garden of a house in Nottingham.

Three weeks of hiking in one of the highest-altitude places on earth: the Spirit Valley in the Himalayas. Two sequences of flowers picked like in herbarium, emphasized by the voice of villages and the chants of monasteries.

A vampire queen and a human girl join forces against all odds in search of “paradise” — a place where humans and vampires peacefully coexist.