It's summertime in rural France. A charismatic stranger happens upon three teenage boys. He has a gun in his car. Are they ready to go for a ride?

A César award nominated short feature.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

"You are worse than her. You won't even give her a chance." "That's just it. Maybe she should have given it more thought. If we hadn't been born, she would have been free. She wouldn't have had to take off." "And we wouldn't have been there. Would you have preferred that?"

Hélène, a woman living alone in a suburban house in 1976, is confronted by her past when her husband suddenly reappears after going away for a year and a half to write a novel.

In the heart of the Ariege Pyrenees, Patrick Chêne, a farmer and osteopath, cares for humans and animals with his hands and diphonic song. The vibrations of his singing radiates through the body and acts like an acoustic probe, showing a sensitive world full of invisible energies that make and form life, building our link with Earth and our environment.

Someone knocked out a man and left him for dead during a fishing trip in Portugal. That someone is either his fetching wife, or two business partners, all sporting guilty faces after his unexpected return. Two more murders and a frame-up befall the quartet before an inspector closes the case.

Sassy manicurist Eve Fallon is recruited as an even more brassy reporter and she helps police detective boyfriend Danny Barr break a jewel theft ring and solve the murder of a baby.

Portrait of Jean-Louis Trintignant, for the "empreintes" collection, produced by Pierre Bouteiller and written and directed by François Chayé.

A young man of society wants to make an expedition to Africa, but his fiancée asks him for help about one of her fathers guests shortly before his planed departure. Her suspects about that guest were serious, this man tries to steal one of her fathers rubin, and she and her fiance are kidnapped and brought to a house, where strange things happen. The whole thing becomes a nightmare under the direction of a mysterious Mr. Satan.

In this non-narrative animated film inspired by composer François Couperin's harpsichord composition "Barricades mystérieuses," Jacques Drouin explores a whole new way of using the pinscreen to create animated images. He pivots the screen and uses low-angled light to capture images in high relief. The result is like a sculpture whose expertly modelled forms are revealed through film. A film without words.