The series is about the office workers of Marketing Team 3 at the home appliance headquarters of Gaus Electronics—a multinational company. It highlights the highs and lows of corporate life, and love and friendship between the employees.

A Soviet scientist creates a brilliant robot. This is a boy who is able to solve any mathematical problems, he writes the best essays and sings perfectly! And he is also an exact copy of schoolboy Seryozha Syroezhkin. A clever boy quickly shifts all his duties to an electronic double. He does his homework for him, goes to school and does household chores that his parents entrust to Syroezhkin...

Professor Gromov constructs a robot called Electronic, which looks exactly like Sergey Syroezhkibn, a 6-grader from one of Odessa (USSR) schools. The robot also acts a lot like a human, and its dream is to become a real man. Electronic escapes from the professor's lab and accidentally meets Sergey, his prototype. Meanwhile, a gang lead by Stump is trying to kidnap Electronic to make him steal pictures from museums. For this purpose they send their hitman Urrie.

Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.

In this newest video from Odyssey there are full length parts from team riders: Matt Beringer; Adam Banton; Aaron Ross; Gary Young; Mike Aitken; Taj Mihelich; Chase Hawk; Jim Cielencki, & Jimmy Levan. In this 2-Disc DVD set, the second disc features both of the previous Odyssey videos plus tons of bonus material. New video run time is about 60 minutes.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Agata is badly ill and nobody knows how to cure her. No doctor can help. Friends of Agata learn, that she is ill, because all children have Grannies but Agata does not. They go to the shop "Electronic Granny" and beg the dealer to sell them one Electronic Granny. The dealer warns them, that her electronic circuits are very sensitive - and this Granny will only work if loved. Agata get healthy and plays with her new Granny and other friends. Granny can invite new games and even fly with all children to the Moon. But later due to the jealousy and bad heabits children forget that they must love Granny, they begin to treat her just as a robot that "must do what they ask". As a result Granny dies. To resurect her Agata and friends must get off their ambitions, rudeness, jealousy and again become loving, cheerful and kind.

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

The third part of the BP Underground series is about Budapest's underground electronic music scene. Just like the other episodes it also evokes the emergence and growth of the genre with its unique visual world and a lot of archive footage. Among other things, it seeks to discover how Budapest as a center shaped the subculture.

Short educational film by Vladimir Kobrin.

CUE SAUDI ARABIA'S ELECTRONIC UNDERGROUND

Earth, 1997. An evil alien threatens our planet. The only one who can stop it is Captain Electron.

Recorded live at the König Pilsner Arena Oberhausen, 2007