Aging actor Hieronymus agrees to coach amateur Hans in his craft, but Hans doesn't live up to the demands of theater pros although he is supported by actress Ina who then helps him to break into the movies - but not as he expected.

A West Berlin doctor, married with a two-year-old child, leaves her husband to go to Munich to work in the birth clinic of a hospital. Her husband doesn’t know that she’s pregnant with their second child. Will she have to choose between motherhood and her career?

Reality in Mozambique resembles an unreal nightmare: South Africa refuses to accept the autonomy and independence of this country. More often than not, children are the victims of this situation. Not because they are killed but because they are made into instruments of death. Children in Mozambique are abducted by the Contras and forced to act as murderers of their own people. Their traumatic experiences (abduction, torture, being trained to kill, flight or liberation) and the efforts of the Mozambique government to reintegrate them into society form the basis of this film.

For Neele and her life partner Steff, the dream of having one's own child finally seems to come true: Steff is pregnant. However, there was a confusion in the artificial insemination - instead of their carefully selected sperm donor, they caught a sperm donation from a gay couple: Kalle and Jens also want a baby and consider the confusion as a kind of coincidence. While the two men look forward to their time as active fathers, Neele and Steff see their harmonious trinity at risk.

The street urchin Scampolo (which means, "A Nothing"), who sleeps at night in a telephone booth and earns a little money running errands for a laundry, falls in love with a despondent, out-of-work bank manager in Depression-torn Germany, and thereby becomes a woman in the eyes of other men.

Puppets play the story based on the famous children's song.

The interviews conducted by Tamara Trampe in a Pankow kindergarten testify to a rare attempt to enter the world of the young interviewees completely, to give their stories a space where reality and fantasy, worries and wishes can mix freely. A space that’s not always provided in the daily life of the kindergarten, as the film casually suggests even after it was toned down by the DEFA censors: toilets without doors, ghastly birthday parties and friendly but unmistakable reprimands when the children let too much dialect slip into the grammar exercise or when their pictures of soldiers are not realistic enough.

Philipp and Anna live in the Berlin Babyboom-Kiez Kreuzberg. They also like to go to the playground, but with their little niece Nele. Anna does not want to know anything about Philipp's sudden desire to have a baby. She is on the verge of a professorship and insists on the old agreement: kK - no children! The more intently he makes his baby application to his wife, the more obvious is her rebuff.

Career gambler Dan Milner agrees to a $50,000 deal to leave the USA for Mexico, only to find himself entangled with fellow guests at a luxurious resort and suspecting that the man who hired him may be the deported crime boss Nick Ferraro aiming to re-enter to the USA.

A young boy trying to deal with his mother's heroin addiction befriends a waitress who helps him cope with the tough situation.

A successful writer of children's books, Stephen Lewis is confronted with the unthinkable—he loses his only child, four-year-old Kate, in a supermarket. In one horrifying moment that replays itself over the years that follow, Stephen realises his daughter is gone. Kate's absence sets Stephen and his wife on diverging paths as both struggle with an all-consuming grief.

Two boys in their early teens in a strictly-run pre-WWII Catholic School form a firm friendship which is troubled by an abbot who is obsessed with the younger of the students.

An unexpected bond develops between a fugitive killer and a runaway orphan on an odyssey across England.