Sunday deals with the difficult situation of gays students in highschool.

A peculiar family and some friends who are not ordinary meet every Sunday around the paella. They will share much more than a table and conversations, they will share a whole life, worries, misfortunes and illusions...

Júlia experiences sexual affection relationships very differently from Clara, her partner. This fact will cause her to doubt, making them realize that they no longer share the same lifestyle and, moreover, will end up questioning their own relationship.

A star quarterback gets knocked out of the game and an unknown third stringer is called in to replace him. The unknown gives a stunning performance and forces the ageing coach to reevaluate his game plans and life. A new co-owner/president adds to the pressure of winning. The new owner must prove herself in a male dominated world.

Young Frenchwoman Mathilde searches for the truth about her missing fiancé, lost during World War I, and learns many unexpected things along the way. The love of her life is gone. But she refuses to believe he's gone forever — and she needs to know for sure.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Annabel is a successful businesswoman with a wealthy husband. At a reception in her villa she meets a woman, a member of the catering staff who has been hired for the evening. This woman is none other than her own daughter Chiara, whom she had left over thirty years ago. Chiara was just eight years old at the time. She now approaches her mother with an unusual request: to spend ten days together with her.

A Hispanic teenager hides out from the law in the home of a good-natured, but rebellious, Caucasian teenage girl after killing two rednecks whom beat him up and left him for dead, leading to a collision of cultures between the two youths.

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.