Die Wunder des Films is one of several German films from the 1920s that thematized filmmaking through the re-use of existing archival footage. Other titles include Friedrich Porges’s Der Film im Film from 1924 and the Ufa production Henny Porten. Leben und Laufbahn einer Filmkünstlerin (Henny Porten: Life and Career of a Film Artist) from 1928. These were often classified as “cross-section films” (Querschnittsfilme), because they presented viewers with significant samples (i.e., a cross-section) of a given sector of contemporary film production. But Die Wunder des Films is unique in its focus on Kulturfilm – scientific, educational, and promotional film – rather than the entertainment industry and its stars. The film’s director, Edgar Beyfuß (1893-1936), was not only a producer of Kulturfilms, but also a prolific writer and lecturer on the topic, who edited the monumental Kulturfilmbuch of 1924.

Amazing adventures of a little boy and his friend, the great wizard Chili Chala.

Not quite a religious film, not quite a coming-of-age story, not quite a kiddie flick, and not quite a supernatural horror movie, Taliesin Jones's identity crisis nonetheless reveals a sweet examination of one child and his thoughts on God.

Mysterious old solicitor Mr. Blunden visits Mrs. Allen and her young children in their squalid, tiny Camden Town flat and makes her an offer she cannot refuse. The family become the housekeepers to a derelict country mansion in the charge of the solicitors. One day the children meet the spirits of two other children who died in the mansion nearly a hundred years prior. The children prepare a magic potion that allows them to travel backwards in time to the era of the ghost children. Will the children be able to help their new friends and what will happen to them if they do?

Leni, a daring young girl, is visiting for the second time a ski-resort. The local ski-teachers agree to organize a "fox-hunt" for her. Leni and Hannes are "the foxes", and about 40 other skiers will have to catch them, starting with a 15 minutes delay. It's not the story that makes this film, but the extremely spectacular, thrilling shots about skiing.

For 70 years, the population of the wapiti deer in the Yellowstone National Park in the United States increased unchecked. Without natural predators and despite all human attempts to check the increase of the deer population they kept spreading and destroyed vast regions of the park's vegetation. They literally defoliated the National Park. However, a well-directed reintroduction of 41 wolves between 1995 and 1997 worked wonders: The animals restored the natural balance in the National Park.