I was on a ship – this sounds like a novel: I had just embarked for Venezuela on June 2, 1967 as the Shah of Iran was arriving in West Berlin. There were protests, a student was shot, and a new form of opposition movement came into existence. The idea for this film came to me while I was still aboard the ship. The film is structured like a commercial. The film takes a metaphor literally: words can become weapons. However, it also shows that these weapons are made of paper. The weapon spoiled everything for the Shah and his wife, they are wearing paper bags on their heads with faces drawn on them – the kind of bags worn by Iranian students during demonstrations to hide their identity from the Savak, the Iranian Secret Service. When I showed this film to the audiences in the late 60s, it was highly praised. I think people understood then that over obviousness is also a form of irony. This capacity was lost a few years later. I think it's coming back today. –HF

The true story of a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African-American college students into a historical powerhouse that took on the Harvard elite.

Natanaël, seven, still doesn't know how to read. His eccentric old aunt bequeaths her house to his parents and her book collection to the young boy. Nat discovers that the books serve as a shelter for all the heroes found in children's literature. They are the original characters and are counting on him for protection. For if they leave the library, they will disappear along with their stories forever! When his parents start selling off the books, Nathanaël, who is shrunk by the evil witch Carabosse, braves everything to save his tiny friends