La Piave is an attempt to describe the Piave river and its surroundings as a character in constant change. Each chapter shows a different research session in which the landscape is analyzed in its structure through individual shots, thus forming a naturalist mosaic that accounts for the different conformations of the territory over the years. This first part collects the documentation of the place made by me between 2017 and 2021, as well as a couple of found footage sequences.

Made for the Liguria program: 90 years of cinema. The precious superimposition of two diaries: the personal one, written and filmed by the director and his companions of moments lived in Manarola, and that of Telemaco Signorini, an artist focused on the Cinque Terre who feels the need to nourish his figurative obsession with theoretical insights for that same place where Amico's daily life takes place with Olympic prosaicity.

A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.

A man gives his friend a series of lessons on how to cheat on one's wife without being caught.

A woman discovers the truth about her former lover from the diary that his first wife wrote to their son, Nicholas.

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.