While struggling with his dual identity, Arthur Fleck not only stumbles upon true love, but also finds the music that's always been inside him.

A young female office worker's night routine.

In this radically unconventional television series, Godard and Miéville analyze the political economy of personal and mass media communications in relation to society, culture, family and the individual. Their inquiry focuses "on and beneath" communications in a provocative critique of the power of media images in contemporary culture and everyday life. Each of the six programs is constructed of two complementary segments: A discursive visual essay on one aspect of the production and consumption of images is paired with a related interview on labor and leisure with an individual — an amateur filmmaker, a dairy farmer, the mathematician René Thom, Godard himself. These extended interviews provide a subjective counterpoint to the theoretical essays on work, economics and mass cultural imagery.

Ein Fall für zwei is a German television series, which premiered on September 11, 1981 on ZDF. The series, located in Frankfurt am Main, features two main characters who solve crimes: a defense attorney and a private investigator. Josef Matula, a former German police officer, has gone into private business. His method of investigation is very effective and direct, and he sometimes even resorts to dirty tricks. Claus Theo Gärtner has portrayed the role since the start of the series.

Police Inspector Staniland is investigating the death of a pianist. While conducting his investigation and looking through the victim's apartment, he meets Barbara, the mistress of the murder victim. Barbara confesses to the crime, but Staniland, based on his observations and experience, does not believe her. He then sets out to find the truth.

Marc Elbichon, a novice private sleuth, is investigating a wave of assassinations bearing a particular characteristic: the perpetrator, dubbed the "telephone killer" always strangles his female victims with a telephone cord.

The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact that there are six episodes; the “two” has a double meaning.

November 1947. The United Nations votes the partition plan for Palestine. For some, it is a dream becoming reality; for others, it is the beginning of a catastrophe. Seventy years after this historic vote, the land of Palestine remains an open wound, a battleground for two peoples torn apart by their shared history, a source of inextricable tension in the region and even beyond the borders of the Middle East.

Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.

Short film.

Twice is a 1968 experimental film by Jackie Raynal. Raynal stars in the film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.

Using images from online amateur porn videos, Deux Femmes recreates pornographic footage shot by Man Ray and found in the artist's atelier after his death. Closely following the compositions of Ray's original film, director Ann Oren presents printed frames from online videos in a stack directly below the camera—adding a single frame to the stack every few seconds. The unhurried process of stacking the images by hand slows the otherwise speedy consumption of pornographic media in a nod to Ray's preoccupation with the female body as sculpture.

Men including younger ones flock around a seductive older woman of mixed race, so that she forgets her age.Will she choose the one rightly destined for her?

Damien takes in a young Sudanese exile, Abdo. From the beginning of their stay, they suspect that they are homosexual and homophobic respectively.

At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.

Two third-rate actors, longing to be famous, try to make the headlines by feigning a murder.

The life of Anne of Brittany was an extraordinary adventure of love, betrayal, desperation and jealousy. Married at 14 to King Charles VIII, then seven years later to King Louis XII, she united her Duchy with its historic enemy: France. Throughout her life, Anne, a woman of great intelligence, devoted herself to the administration of her duchy and jealously guarded its autonomy, but in the end her daughter Claude, Anne's heir, was betrothed to Francis of Angoulême, the future Francis I and Brittany was finally absorbed into the kingdom of France.

Two animated fables by La Fontaine "The Old Lion" ("Le lion devenu vieux") and "The Lion and the Gnat" ("Le Lion et le Moucheron").

While running from a drug deal gone bad, Mike Ross, a brilliant young college-dropout, slips into a job interview with one of New York City's best legal closers, Harvey Specter. Tired of cookie-cutter law school grads, Harvey takes a gamble by hiring Mike on the spot after he recognizes his raw talent and photographic memory.

Folie a Deux is a quintessentially English tale with a universal message. Prophetic and surprisingly humorous, the narrative is driven by a tenacious single mother of seven, who risks bankruptcy and homelessness to fulfill a dream. Shot over five years and set in the oldest house in England. This film is an intimate portrayal of a large bohemian family with all the ups and downs of daily life, an intriguing insight into England's history, and future. This is a nail-biting journey through the economic crash and life's biggest gamble. This is not a story of the conspicuous consumerism of billionaires; rather this is the human cost of the banking crisis.