This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

As a practical joke, an actor impersonates the screen monster he made famous.

After a warehouse fire, museum director Grove and assistant Pimm find everything destroyed, only one statue withstood the fire mysteriously undamaged. Suddenly Grove is lying dead on the ground, killed by the statue? Pimm finds out that the cursed statue has been created by Rabbi Loew in 16th century and will withstand every human attempt to destroy it. Pimm decides to use it to his own advantage.

An ailing communist reflects on a young boy childhood in Stalinist Yugoslavia.

Villagers create a Golem to do their labor.

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.