Abidin is an engineer working in a mine . The mine owner named Hamid was a cheapskate. Hamid had a daughter named Maimonides who love Abidin . One day , an accident at the mine and a worker had died. Hamid does not want to pay the compensation to the families of these workers.

Paris. In a small side street, seconds away from the Place the Clichy, two dirty and dingy hotels face one another. Behind their facades, the lives of marginal transsexuals from Ecuador take place. They all work as prostitutes in the Bois de Boulogne. Among them, we meet "Mujeron", (the "Big Woman", in Spanish), a former boxer who chose prostitution and a solitary life in order to survive and help his family back home. We also meet the exuberant and ironic "Romina", who seems to have made her dreams come true thanks to prostitution: a woman's body, a housewife's routine, a small flat and some money. Two parallel existences that are apparently poles apart but will in fact unite in one tragic ending. Both light-hearted and tragic, switching from flirtatiousness to misery, from optimism to fatalism, the story of Romina and Mia balances between joyful complicity and solitary distress.

Heavily pregnant and in the early summer heat, Mina has wandered up into the Montenegrin mountains in search of answers to the problems she is facing with her partner, Daniel. She longs for him, but she is full of doubt. A woman in the mountains tells her to find a dying tree and cure it by tying yarn around it - doing so will give her clarity, the woman says. On the way to the dying trees, Mina reflects on her relationship with Daniel. The task is challenging and puts Mina to the test, but the journey gives her a break from home with Daniel and all the noise of past events with him. She finds the silence and peace of mind she's been missing, and finally she is once again able to see her own life and Daniel in a clear light.

At a school trip in Yugoslavia in 1989, elections for Class President are held among 10-year-old pupils under the supervision of their teacher. The film explores the relationship between political and romantic power(lessness).

An early Thai film featuring Kom Akkadej before he became an established film director.

Los Angeles City Hall is reflected onto the window of the Paradise Motel. It serves as an anchor for this traversal through the natural expanse of California. Here, we discover a restrained psychodrama of play, loss, and the transformation of everyday habitats. Music appears across the interiors and exteriors and speaks of limitlessness and longing.

At the end of the busy year of 1997, we ended up filming a documentary produced by Jorge Timm. Jorjão's restaurant was very close to the Uruguay River, on Ilha Redonda, and there was a river flood, which rose about eleven meters above the normal level - two meters less than the record high of 1983 - and displaced many people. Claudio Baiestorf, Carli and I went there to record the damage, interview homeless people and invent delusions. We arrived at the place and realized that Jorge had greatly exaggerated, via telephone, the size of the flood damage. There were not even homeless people. Thanks to warnings from the civil defense, all residents had taken precautions. We opened a whiskey and started filming anyway.

Kenji and Chuko travel to Hokkaido as migrant workers and enlist as miners under the strict leadership of Guzuyasu. On the boat journey to Hokkaido, Kenji attracts Ohama, who is travelling to Hokkaido to open a bar. When Kenji visits the bar, he chases away a sailor who was hassling a shy girl, Ofuji, which makes Ohama jealous.

When an alluring young undergrad becomes infatuated with her nearly retired professor, she stirs up the man's humdrum home life in a most unusual way.

Sometimes you cry in other peoples’ homes. You ring up and say: I don’t want them to hear, I don’t want them to see me. Can you give me the keys to your place? In return you clean up, you vacuum a little or you leave a few choco- lates on the kitchen table. You have several sets of keys, several places to cry and bags full of gifts to leave there.

Four young Moroccans, like thousands of others, cross the sea illegally to work in Spain.

Tolga is confused. His girlfriend has left him, but he feels no sense of sadness. But he wants to change that. So he asks his best friend Burak, an imaginative guy who sells kebabs, how he could cry. Burak, who is an expert in feelings, or at least in showing feelings, offers him various techniques. But the more he tries, the more Tolga begins to question his own friendship. Up to the point where Burak asks him a very serious question…

A hacienda seem to be haunted by La Llondra, the crying woman.

One day, Tina’s ex-husband Lenchik and his young wife Alina unceremoniously invade Tina’s apartment. A schoolteacher, intelligent and sophisticated, Tina can do nothing to oppose the impudent impudence of her ex-husband. The situation gets even worse when Alina abandons her newborn son and hides in an unknown direction. Lenchik decides to return to his relationship with Tina. And he acts with his usual unceremoniousness.

At the beginning of 1942, the Japanese army swept the base area in northwest Shanxi. In order to combat the arrogance of the Japanese army, Li Yunlong led an independent regiment to attack Ping'an County. Japanese troops from all walks of life came to the rescue one after another, and all the troops of our army blocked them. Li Zhenghu was instructed to lead a cavalry company to defend. Relying on the unique terrain, he fought hard with the Japanese army and made huge sacrifices to help Li Yunlong's main attacking force successfully capture the county town of Ping'an, causing heavy damage to the enemy...

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