A static camera records the coming of day as a flock of sheep cross the titular stream in a painterly pastoral to restore the senses through a tradition of old.

Follows a group of recovering addicts working at Troublesome Creek Stringed Instrument Co. in Hindman, Kentucky.

Bay Creek Tennis Camp is led by Coach Charlie, a tennis star turned brusque middle-aged coach-and this year, he's signed on Assistant Coach Raegan, a non-binary college student and rising tennis star to help for the summer. Coach Charlie is accustomed to doing things his way, as he always has-calling the kids "Miss Williams" and "Mr. Brown" and separating them out each day according to gender for speed matches. Raegan, too shy to criticize, quietly tries a different approach-asking kids their pronouns and integrating games to get the kids engaged. But when some of the kids don't fit neatly into the gender boxes assigned to them, they decide the rules need to change once and for all.

SAND CREEK EQUATION uses a poetic narrative style to explore the horrendous parallels linking the 2008-2009 war on the Gaza Strip with the 1864 Native American massacre in Sand Creek, Colorado.

George's Creek Baptist Church is ending. There is no new generation to inherit the church. For the elderly congregation, their stories are coming to an end as well. The church's pastor, Earl, experiences his own passing echoed in the degeneration of his wife's Alzheimers.

Sequel to "The Woodmen". Plot is kept under wraps.

San Lorenzo Creek traverses a ribbon of wild land that cuts through suburban hills on the eastern side of San Francisco Bay. It's a nature film that is also, inextricably, a city film. Its images document a space populated by synanthropes (wild animals that find habitat within urbanized environments) and trace the contours of an ecosystem where introduced or invasive plant species entangle with those that are native to the region. This complex mix of layers reflects the social processes of colonization and urbanization that shape the contemporary natural world.

An innocent camping holiday turns tragic for two young women when they run afoul a female robber, a quicksand bog and other terrors.

This doc investigates the odd occurrences that have happened for decades at a creek in Texas, which was an Ancient Native American burial ground.

While camping, a young girl (Amanda Madison) becomes the latest victim of a serial killer operating in and around Bloody Creek State Park. A writer (Launa Kane) looking into the murders thinks she knows who the killer is.

The 73 minute film, MOUNTAIN RIVER, follows the Esopus Creek, from its headwaters on Slide Mountain in New York’s Catskill Mountains, to the Ashokan Reservoir, and on to the Hudson River at Saugerties - a fascinating journey of 65 miles. The story begins with the ancient geologic forces that formed the Catskills and goes on to explore the Native American and colonial settlements along the Esopus. The documentary covers the history of New York City’s Ashokan Reservoir, the development of water-power on the stream, and the innovative beginnings of the American Industrial Revolution along the Esopus in Saugerties. The film celebrates the Upper Esopus as a world class trout fishery, a recreational resource and a critical source of clean, unfiltered water for millions of New Yorkers. Below the Ashokan Reservoir, the Lower Esopus flows through steep gorges, rich agricultural lands and several towns on its way to the Hudson River.

Filmmaker Warren Harrison captures the memories and experiences of people who grew up as part of a unique community at Greatham Creek, a salt-marsh near Hartlepool in the Tees Valley. One of those who’s memories are recorded is photographer Ian Macdonald whose haunting images of the creek are used in the film along with family photographs, archive film provided by the North East Film Archive and contemporary footage.

As everyone begins dying around her, Tanya must uncover the terrifying secrets hidden within the woods of Brimstone.

A tramp kills a generous woman. In revenge, her husband tracks down and lynches the tramp.

In 1972 a coal-waste dam owned by the Pittston Company collapsed at the head of a crowded hollow in southern West Virginia. A wall of sludge, debris, and water tore through the valley below, leaving in its wake 125 dead and 4,000 homeless. Interviews with survivors, representatives of union and citizen’s groups, and officials of the Pittston Company are juxtaposed with actual footage of the flood and scenes of the ensuing devastation. As reasons for the disaster are sought out and examined, evidence mounts that company officials knew of the hazard in advance of the flood, and that the dam was in violation of state and federal regulations. The Pittston Company, however, continued to deny any wrongdoing, maintaining that the disaster was an “act of God.”

The lives of numerous twenty-somethings collide over the course of one long summer night in Northwest Washington DC.

The case for the existence of the creature known as the Midwest Skunkape is presented through various interviews, re-enactments and discovered footage.