C'est pas sorcier is a French educational television program that originally aired from November 5, 1994 to present.

A magazine programme that makes science easy to understand for anyone with an inquiring mind. From their cabin in the woods, Max Bird, Cécile Djunga and Mathieu Duméry explore a theme that fascinates young and old alike.

Three personalities compete to win the title of best guest of the evening. Antoine Vézina is the judge responsible for awarding players points that will designate a winner. The competitors make fun of the codes behind conventional talk shows during interviews, and take part in various challenges.

It's about a couple owning a small hotel who are trying to sell it.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

1940: During the chaotic running fights of the French army the 7th company disappears - nobody knows they've been taken captive. Only their scouting patrol, three witty but lazy guys, can escape and now wanders around behind the German lines. They'd like to just stay out the fights, but a Lieutenant urges them to use a captured truck to break through to their troops.

When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.

Two children enter a fantasy kingdom and are confronted by evil forces.

Emile is fifteen. He lives in Montargis, between a sweet-crazy father and a mother who has always dyed his hair blond, because, it seems, he is more beautiful like that. When the girl who pleases him more than anything invites him to Venice for the holidays, he is overjoyed. Only problem, his parents decide to accompany him - This is the story of a teenager born into an unclassifiable family, the story of a first love, miraculous and fragile. This is the story of an initiatory and incredible journey where life often takes unawares, but where Venice, it will be at the rendezvous.

Three days before her wedding, Julia receives a phone call saying her father will not attend the ceremony because he is dead. After the funeral, the daughter receives a coffin containing a father-like android with all his memories.

Ceci n’est pas un GIF is a film only made with GIFs. It’s a breach, a short object that questions our relationship to the real and digital world, to our physical presence on Earth.

Tom is a secretary for an association which aims to free political prisoners. Skipping from inaction he plans and kills dictator Anton Caras. Arrested he ends up in a jail full of political prisoners for whose freedom he had been working. Eventually he manages to escape but only one would follow him. The others preferred to stay and testify before the court.

Sophie, viscountess of Valrude, believes herself being a widow since her husband disappeared in the Amazon.

Pierre Renard is the blackboy of the writer George Vallier. At the time of a reception, the Italian actor Aldo Barazutti takes him for the writer and proposes to him to come to work with him in Tunisia with the development of a scenario. In fact Barazutti wants only to flee her wife to find her mistress Valerie. Misunderstandings when Vallier joined them. They must flee in the desert a jealous husband...

A small-scale cabaret troupe is touring the provinces. One afternoon while canoeing, Monique Darzel, one of the troupe's singers, spots an angler whose resemblance to Fernand Raynaud strikes her. She discusses this with Jean Duroc, the troupe's director, who laments the meagre revenues his show is raking in. He then had the idea of meeting this fisherman to convince him to imitate Fernand Raynaud in his shows. It turns out that the Fernand Raynaud impersonator is in fact Fernand Raynaud himself, who has come for a week's incognito vacation in the provinces. Raynaud is finally persuaded to play the novice comedian, in order to further develop the script for his next film, Les cabotins à travers les âges.

OSS 117 is asked for help by a female acquaintance Muriel Rousset. She beseeches him to retrieve secret documents which have been stolen from Sir Anthony Lead, the father of Anita and Marion. He complies with her wish and no obstacle or danger can hinder him from meeting her expectations.

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.