When his brother disappears, Robert Manning pays a visit to the remote country house he was last heard from. While his host is outwardly welcoming - and his niece more demonstrably so - Manning detects a feeling of menace in the air with the legend of Lavinia Morley, Black Witch of Greymarsh, hanging over everything.

A documentary about the "The Mystic Lamb" painted at the beginning of the 15th century by the Van Eyck brothers.

The intensity of Ana's life, a Spanish journalist, has reached its climax. On a trip to the Amazon that begins as an investigation into deforestation and illegal gold, she meets Don Abel, a man initiated into an ancient sacred science. Ana will find herself in a ritual that will change her life.

The Altar Boy Gang was a satirical half hour comedy developed for the Canadian television network CBC Television in 2007. Although two episodes were shot and four more were commissioned to be written, the show was not picked up as a regular series. The two pilot episodes of this series written by Norm Hiscock aired on CBC in 2007. The show drew much angry response from Catholic groups who felt its portrayal of altar boys as drug dealing hooligans was offensive. Also the depiction of a Catholic priest who inadvertently ingests LSD was seen as disrespectful. Others enjoyed the shows and saw them merely as character studies of less-than-perfect people finding their way in the world. Kelly Makin, the director of the two pilot episodes, and David Makin, the director of photography, worked with Norm on the television show The Kids in the Hall. Andy Jones, who played the role of Father Sand, also wrote with Norm on the last season of The Kids in the Hall. Dan Redican was the story editor. The song "Soldiers of Christ" by the Canadian band Blood Meridian was the title music for the show.

A strange flying being has arrived in a remote town in Mexico, carelessly flying too low, crashes into a pole, and damages its wings. So he must remain in the town until he is healed. Meanwhile, in order not to get bored, he decides to sow terror among its inhabitants. As the days go by, the strange being that is none other than the fearsome "CHUPACABRAS" realizes that the only thing that inspires them is laughter. El Chupacabra discovers to his horror that he fell into a town of madmen, who led by the "dangerous" Sheriff (Manuel "Flaco" Ibañez) undertake persecution against him. The Chupacabra escapes to a nearby ranch where he kidnaps ¨La Paty¨ (Paty Muñoz) the owner's daughter, unleashing the wrath of ¨Condorito¨ a lepero and mischievous altar boy (Paty's boyfriend) who joins the crazy chase.

The main characters of the story are Pauli, a teacher's son, and Sepp, the son of a sawmill owner. They get to know each other while serving as altar boys, become friends and decide to form their own gang with themselves as leaders. Their first major objective will be a battle against a notorious gang from the neighboring village . . .

A Buddhist, fable-like story about the guilt of a childhood incident of killing an ant while washing hands in the sink. Animated through photographic sequences painted with golds and greys, the Zen-like visuals sweep into one another with whispering monologues and glitching noises reflecting the realms of power, guilt, prayers and existence.

Rape is a social cancer. Women are victimized everywhere. The country is roaring. The intellects are walking with candles. The government pay the allowances to the victim. The oppositions are taking advantage. The process of purgation has been already started. The media get excited with justice. But, what will happen if the victim is not a female? A strip of a bra. A cot of underwear. The wire is the only witness of two suicides. A male! A female! A gender less animal (it!)! Customs! Witchcraft! Expurgation! Government! All these nonsense! Hypnotism.... Death, Death n' death with materials! Murder! Murder! Murder! No rally! No protest! Behave like all three stupid monkeys! Shameless hypocrisies! Go the hell! Piss! Stools! Vomit! False! False! False! Fuck! All these under authorities! Materialized under an obsolete altar!

St. Mary's Altar, stolen by the German occupier during the Second World War and hidden in Nuremberg, returned to Cracow in 1946. Thanks to conservators and filmmakers, we can see the beauty and majesty of the story of the Virgin Mary.

After the war, the young totalitarian authority was afraid of Jesuits that had good connections all over the world, even in the countries Slovenian political immigrants fled to. They were accused of hostile activities and put to a framed-up trial.

A vamp is hired to destroy an impending wedding.

Desperate to see their church grow, Pastor John (Robert Amaya) and wife Betsy (Erin Bethea) do the unthinkable and change their church Christmas pageant. Flabbergasted, elderly choir director Mary Margaret (Sallie Wanchisn) leads the choir to boycott. Facing termination, Pastor John resorts to disguising himself as an old man to bridge the generation gap, win over Mary, and lead the choir back to the church. When he discovers that the wounds run deeper than he first suspected, Pastor John must learn to love the unlovable or risk the ruin of his church and family.