After her husband leaves during the Mexican Revolution, Ana finds comfort in Rosa with whom she shares many aspects of her life.

A young man kidnaps a woman and embarks on an energetic crime spree. The reason for his behavior gradually becomes apparent.

A freakish coincidence brings together a songwriter and the lyricist from whom he inadvertently stole the lyrics to a hit song.

In El Adios Largos, artist-archivist Andrew Lampert undertakes a speculative, restoration of Robert Altman's The Long Goodbye based on the premise that the film's negative has been lost and the sole surviving print is incorrect in every way: 16mm rather than 35mm, black and white instead of Technicolor, and dubbed into Spanish. (N.B. proper prints and a negative do exist, just not in Lampert's possession!) With dubious methods used to achieve authenticity, El Adios Largos is at once an uncanny aesthetic experience and a playful exploration of the philosophical conundrums involved for those working to preserve film history for generations to come.

In 1974, George Sluizer and Fred van Kuijk made Land of the Fathers, a film about two Palestinian families and the new diaspora of Palestinians: a Muslim family from the refugee camp and a catholic family living in a downtown apartment. In 1948, the year the State of Israel was established, they fled to Lebanon. In 1977, the filmmakers returned to the two families. Adios Beirut is the account of their third visit, at the end of 1982. Years of turmoil, terror, uncertainty and longing. Shot in Lebanon, Israel, France, Italy and Cuba.

Documentary of the phenomenonal band Sui Géneris in its farewell tour at Luna Park on September 5, 1975.

Rosana, a Bolivian maid who's long served a wealthy Spanish family, is too busy with funeral preparations to grieve the newly departed matriarch. But amid all the events of the day are subtler suggestions of Rosana's possible liberation. Clara Roquet directs this beautifully realized story of one household's class divide.

Ricardo Castro narrates the adventures of his eccentric childhood and the utopian dream that his family of 17 lived in a forest transformed into their home, in the outskirts of Mexico City. After years of building the perfect microcosm, a tragedy shatters their utopia, leaving a void in the family that seems irreparable. Ricardo flees to a secluded cabin near a dam, where he griefs in a turbulent and also magical way.

Mexican feature film

The lives of various Latin residents of New York City are depicted. A Puerto Rican family, two Mexicans, and their friends seek fortune without forgetting their roots and traditions.

First spoken short film of Argentine cinema.

An environmental documentary about threatened Argentine species.

A crime scene photographer is drawn into an ingenious game of images that could spell his doom in this short from filmmaker David Guillermo Barba.