Follow renowned surfers Kelly Slater, Bruce Irons, Ross Clark Jones, Joel Tudor and many more to far-flung destinations from the Galapagos Islands to South Africa, Indonesia and beyond as they hunt for the world's most perfect waves. Accompanied by music from the Surf Addicts, the film also features skating and motocross segments that will satisfy even the most discerning adrenaline junkie.

While trying to cure the emotion of rage Jacob James stumbles onto a drug that releases all his inhibitions and takes him down a self-destructive path.

The biggest names in freestyle motocross, including Travis Pastrana, Mad Mike Jones and Kenny Bartam, take on some of the wildest stunts in the freestyle MX world - including jumping a motorcycle into the Grand Canyon.

Strong-willed, funny and charismatic, at 37, Belgian athlete Marieke Vervoort’s time is running out. As her strength falters and her body begins to fail, she determines to end her life with the aid of her doctor. Liberated by the legal permission to die, Marieke rediscovers the freedom and thrill of living and competing and becomes a Paralympic champion. Her acceptance of death becomes an affirmation of life. Marieke demystifies one of the most controversial issues of our time.

Luke Peters is hell-bent on avoiding love, leading him to pose as a recovering sex addict to ditch a clingy girl.

If you've attended a women's roller derby bout in its latest incarnation, you've seen it: the love and addiction that drives thousands of women around the globe to don fishnets, stage names and roller skates. The number of female league-skaters in the US is estimated over 20,000, and the first-ever World Cup in 2011 had women around the globe lacing up skates to compete internationally. Narrated by actress/musician 'Juliette Lewis' , Derby Baby takes viewers on a quest to learn why women's roller derby is the fastest growing sport in the world.

We're just musicians who like geeking out about tubes...It's about what you'd expect.

Going behind the doors of the private world of a residential rehabilitation centre in Somerset, this powerful documentary uncovers what is done to help people beat their addictions and start rebuilding their lives, through a series of intimate encounters at Broadway Lodge. From Phillip Wood, the film maker behind the acclaimed documentary Chasing Dad: A Lifelong Addiction, we meet people who come from different situations and parts of the UK who all have one thing in common: to seek a new beginning here. Observing the relationships formed between staff, clients and their families, the film explores how desperate and difficult it is for people to transform themselves when funding is scarce and emotions are running high.

A single camera follows the confronting journey of recovering addicts at a Melbourne rehab. These gamblers, drinkers and drug users have just 28 days to change the habits of a lifetime.

Dopamine is Film based on Addiction

A Dad's excessive use of Facebook/Memes is put into question by his family.

Face Addict tells the story of a unique and unrepeatable experience, that of the artistic community in New York between the late '70s and early '80s, known as the downtown scene.

Following symphonic black metal band Theatres des Vampires on their 2006 Addiction Tour, this concert video contains footage from shows in London; Berlin; Zagreb, Croatia; and Prague, Czech Republic. In addition, featured are interviews with vocalist Sonya Scarlet, who sheds light on the group's history and fascination with bloodsucking creatures of the night. Songs include "Never Again," "Pleasure and Pain," "Dances with Satan" and more.

Found Footage addiction in cinema smoke.

Crucial outline following the life of a heroin addicted salsa singer.

Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.