"In Trama, Lebrat divides a surface vertically to be filmed in six equal segments of color (yellow, red, blue, green, violet, orange). The composition stays exactly the same all the way through the film. The filmmaker puts a band on the side of every two or three frames. Constructed step-by-step, using ten bands, the optical mixture of color induces strange pulsating effects." Raphaël Bassan

Framed around the tumultuous history of Guatemala, TRAMA blends scenes from telenovelas, social media and news to investigate intersections between drama, trauma, politics and fiction. Central to the film are the questions of who influences whom, what is real, what is performed and how Latin American performativity has been appropriated for political ends.