The violent mother left a long-term psychological shadow on the girl, and even after her mother passed away, she couldn't let go for a long time. One day, she finally unexpectedly found a way out for reconciliation. This film is Wen Qi's directorial debut, who won the Golden Horse Award for Best Female supporting role for "Blood Avalokitesvara". She, together with post-90s director Zheng Ziyi, borrows Qu Yuan's "Tianwen" to raise girls' painful questions about their original family and growth experience. In the film, the repeated appearance of mirrors and water extends the camera space, and scenes from different time and space interweave with the imagery of water, revealing a mother daughter relationship of love and hate.

A group of supervised orphan girls walking through the streets of Amsterdam. Shot on 68mm Mutoscope-Biograph.

Jordy wants to use his precious robots for scientific pursuits, while his employers have other plans for them.

Assembling cinematic sequences shot in the Southeastern Urals and in Macedonia, archival footage and animation, Eurasia (Questions on Happiness) sets forth on a journey towards the Eurasian steppe where it meets the New Silk Road. Imagining a fractured continent in the thrall of self-learning data sites that trigger world events, the film confronts various forms of hoax, from cut and paste political doctrines to neo-classical facade architectures. Mapping ideological and political currents that are presently unraveling the European Union, Eurasia describes fake news as a man-made proxy of the indifference that an artificial intelligence may feel toward the human condition. Through modes of science fiction, documentary, and folk tale, Eurasia creates an immersion within layers of media production, wrapping facts in fictions, and fictions in facts.

The cast of a popular kid's show based on offering answers must figure out why young viewers mysteriously no longer have anything to ask them.

In France, a near and probable future. The Sisterhood of Metacontrol governs Europe. Angeline, an exemplary and irreproachable citizen has just joined the order... But her relationship with a special man, Nono, will make her question profoundly the principles of the Doctrine.

Jie (Michiko Kuwano) attended a women's university with the financial support of her geisha sister Oha (Hiroko Kawasaki) and became a lawyer. The aim. Michiko (Kuniko Miyake), one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.

Set in 1914, lodger Sam and his married landlady, Ann (10 lears his senior), fall in love. He marries a tart who falsely claims to be pregnant. But, when he returns from the war that killed his landlady's husband, he finds his wife with another man. He returns to his first love, Ann. But the widow has remarried.

Sex therapists Inge and Sten Hegel discuss some of the letters they have received from people around the world and features actors portraying a few of the acts described therein.

A young woman is slowly being possessed by a supernatural demon known as the Blood Goddess, who possesses her victims by pouring blood on their pillow. She can take many forms, including a vampire, a zombie, and an evil mermaid! Her latest victim becomes insane with a taste for blood that cannot be controlled and the girl goes on a mad killing spree that may or may not end!

The last days of famous Russian author Leo Tolstoy which are paralleled with one of his last stories - The Death of Ivan Ilyich - about a man who is happy with his life until he finds out he's sick and is about to die.

An essay film about the cinema.

Erwin van Haarlem is a man of mystery. Living in London in 1986 and ostensibly a Dutch art dealer, he is in fact spying for Czechoslovakia with a mission to track down supporters of the dissident group, Chapter 77.

A documentary questioning the Australian government's official conclusions with regard to Martin Bryant's involvement in the shooting massacre at the Port Arthur Historic Site in Tasmania on 26 April 1996 and related events. This film was produced "in the public interest by survivors of the Port Arthur massacre and sympathetic investigators".

Two young people are forced to spend three days together...

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.

Questioning similarities and differences and cinematically seeking an impossible closeness - As an imagined dialogue between the filmmaker and his late father Ulrich Mühe, this film becomes an attempt to find answers to those questions that were not asked during his lifetime. A prologue and five chapters were assembled from found footage, in which accusation and attempted explanation, appeasement and reinforcement clash and oscillate between fiction and reality.

Kurdistan, partitioned between Iran, Iraq, Turkey and Syria, could play a major role in a torn Middle East. But who are the Kurds? What influence do they have? Who exactly is Abdullah Öcalan, the leader of the Kurdistan Workers' Party? An enlightening investigation by Luis Miranda.

Film director Drahomíra Vihanová is preparing some interviews with two women. The women are at first sight opposites, but in reality they have much in common. Through the interviews the film director hopes to get a deeper understanding of herself as well. What unite all three of them is creativity, what creativity means for women, and how they combine their creative projects with their daily life.

A construction worker kidnaps his boss in order to read off the roof of the building his manifest of social justice. A couple of young filmmakers are looking for a flat. A group of Arab workers are eating their lunch. Whose narrative is it?