When his spoiled family forgets his birthday, hardworking and generous successful executive Antonio decides to cut them off unless they work for their money.

Mitsu is a 29-year-old woman who married “the number 2 man in her life,” but has been unable to forget her first love, Arishima. When she accidentally encounters him after several years, she feels that it is destiny, and the two spend one night together in secret without their spouses knowing. Arishima himself has just begun a family of his own, with a newborn child, but he and Mitsu find themselves continuing their affair. While at first they enjoy what seems to be a no-strings-attached affair, it gradually begets subtle changes in feeling. Mitsu’s husband, Ryota, becomes aware of the affair and ups his devotion to her in an attempt to keep her by his side. Arishima’s wife, Reika, a perfect mother and devoted wife, makes this four-way relationship an increasingly complicated web of mixed emotions.

The Littl' Bits is a Japanese anime television series with 26 episodes, produced in 1980 by Tatsunoko Productions in Japan. First shown on TV Tokyo, its Saban-produced English translation was featured on the children's television station Nick Jr. from 1991 to 1995 alongside other children's anime series such as Adventures of the Little Koala, Maya the Bee, Noozles, The Mysterious Cities of Gold. Due to their similar size and naming scheme, an analogy is often drawn between the Littl' Bits and the Smurfs.

A group of friends vow to open their college acceptance letters at the same time during the big end-of -year party.

A guarded woman finds out she's dying of cancer but, when she meets her match, the threat of falling in love is scarier than death.

Bite, a cockroach who lives in a computer processor, must prove himself and survive the ongoing battle between predator-like street pigeons and beetles to win over the girl of his dreams.

Infected by a virus, a mild mannered HR manager attempts to fulfill his overwhelming desire for brains, all while trying to keep it together so as not to incur the wrath of his bridezilla-to-be.

Get ready for Eurovision... A Little Bit More! The Eurovision spin-off show that features exclusive performances from the Liverpool 2023 participants. The ‘Class of ‘23’ were tasked to submit reworked or remixed versions of their Eurovision entries; original material; and cover versions of their favourite songs. The results are now in and will be introduced by a different Eurovision legend each week over the next three weeks in a series of one-hour shows.

Two drug dealers are arrested by a police officer who runs into them at a spa. A year later, one dealer's girlfriend returns to the place to try to find a hidden stash of money.

Roberta and Suzana are two sisters, both in their thirties, of totally different beauty and life styles, united by a common goal: to take revenge on their grandmother, a mean old woman who, in the past, turned the little girls' lives into hell, with her strict educational concepts. Since they were very young, the two sisters plan to kidnap the grandmother and now is the long awaited moment. Before Roberta and Suzana leave to the beach house, the setting of their grandmother's terrorist practices, Roberta, while waiting for Suzana at a restaurant, meets Renato, an extremely proper guy who ends up involved in this unexpected adventure. The two sisters' departure leaves Suzana's husband, Alberto, bewildered and he ends up being also part of a parallel mad adventure.

San Francisco's Richmond District. A widow welcomes the Chinese New Year. 62 years old, she wants to make a trip to China to pay last respects to her ancestors. A fortune teller has told her this is the year she'll die, and a daughter, Geraldine, remains unmarried. Geraldine's boyfriend lives in Los Angeles and she's not sure she's ready for marriage, nor does she want to leave her mother alone in her declining years. Mrs. Tan's cheerful brother-in-law, Uncle Tam, tries to help out.

In the heart of the city, in the heart of life, in a public garden, there was once a bench, all alone. A moment of respite, a pause. A save haven, a place of shelter, a refuge. A stage. A crossroads. Just a little bit of wood and steel.

The material of the Newspaper becomes an occasion for a choreographic research on how to create a performance which will be addressed to the young audience (2-5years old). Movement, improvisation, symbolic play and sounds create a world of alternating images and successive transformations of this malleable and ephemeral everyday object.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.

A documentary story from the borderlands of realism and fairytale.

In the metropolitan city of Hamburg, illegal immigrant Chernor, an openly gay African youth with blond hair, makes his money by dealing drugs and dreams of one day living in Australia. Baran, meanwhile, is a Kurdish bicycle delivery boy living in constant fear of deportation, who keeps his past in a video camera. The two form a bond when they meet, and their shared struggles to survive soon develop into a relationship that is threatened when Baran loses his job.

Sofia. A hot July Friday pits two old rivals against each other. Twenty-five years later they are still boxers, albeit this time they are not wearing gloves.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.