On August 24, 1944, the day Paris was liberated, Maurice saw his cell door open. Although he had spent the whole war "in the shadows", it was not for acts of resistance, but for stealing a bicycle. His contact with the free world was quite brutal. The queues he observed at the butcher's gave him an idea. With the help of his childhood friend Roland, who has lost everything gambling-wise, he steals "Berlingot", the horse from a delivery car, and offers it for sale on the black market. But the "nag" is not of the same opinion.

How much can we learn about a European city and enjoy it in only two or three days? Probably a lot if you like racing around from one monument to the other and decide for little or no sleep at all. But what about going behind the postcard image of a city, walking away from some monuments in order to have a peep into the side alleys? and to get tips about less known but yet very typical parts of the town? This series will embark you on a trip to explore secret and apparently ordinary streets, bars, public places that yet make the specific atmosphere of each town. You will see, meet, try new experiences – unknown, little known sometimes quite odd for your personal standard. From the hospital for dolls in Lisbon, through Budapest day and night buzz, to the international diplomatic hub in Brussels, the series will make you travel, and understand how these cities have been changing and thriving. The streets of European cities will at last reveal their charm.

Marie-Jo and Her Two Lovers (French: Marie-Jo et ses deux amours) is a 2002 French drama film directed by Robert Guédiguian. It was entered into the 2002 Cannes Film Festival.

Laurent Achard set up his camera on the set of Paul Vecchiali’s film Le Cancre to capture the director’s creative power. Although Vecchiali’s precision is impressive, Achard also shows moments where his collaborators’ input is essential. Under the director’s eye, the stars are becoming actors again, and Achard revives the heritage of Vecchiali’s '70s and '80s production studio Diagonale.

Four years after an unsuccessful attempted bank robbery and a dead-end, Florian makes Julie's encounter at a strip club. Newly coupled, they decide to mount scams to bank loans.

Marie-Laure and Carla have been in love for 25 years. Their three daughters were conceived by insemination. The law protects Marie-Laure's relationship with the girls because she is their biological mother. However, in order to be recognized as the second parent of the girls, Carla had to initiate a simple adoption procedure for Giulietta, Luana and Zelina. The film visits the file of testimonies that was sent to the Judge. The witnesses (mostly heterosexual and having children) question themselves on parenthood, biological or not, on the consequences of the absence of a father, on the difference of the sexes, on the evolution of the family... Their crossed words build Carla's place. Why not a family with two moms?

A teenager, a costume, an identity

The double reality, that of shadows and that of objects, which manifests itself in time, light and space.

After a family conflict, sixteen-year-old June moves to her partying sisters.

Deux Metres was shot days before Covid-19 was declared a pandemic. The movie documents the day of Angele Metzger, a character who accuses the director of using this short to actually depict a portrait of himself.

Advertising of the Simon cream.

A visually stunning film looking at how we deal with love, loss and all things in between.

At the interstice between materiality and immateriality, Direct work on the filmstrip is digitally rendered, creating tension between surface and depth.

1967. Jean, an eight-years-old city boy, spends his holidays at his grandparents' farm. He gives in candid yet cruel games on the surrounding animals. But this violence is nothing compared to what takes place in the shed, a room that Jean does not even dare entering. One day, Jean kills a tit by accident. He decides to take in the orphan hatchling to nurse him.

A social story of a man who married a second wife, in addition to his first wife whom have a boy and a daughter with, the man brought the new wife in the same house with his first wife, which took all the rights, while the first remained suffering with her two children.

Rene (Jean-Pierre Marielle) is a small-time crook who tries to shake down storekeeper Emile (Jean Carmet) in this uneven and humorless comedy. Things change when Rene starts to fall for the terminally boring and provincial Emile.