The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions of the journalist. The conversation, in the end, covers almost the entire life of Brodsky. We are faced with the dramatic story of a man who categorically refuses to dramatize it. The story of a poet who gained in full, but lost immeasurably more.

Based on a true story of a meeting in June 1945 between two powerful men with very opposite philosophies and perspectives on the future of their country.

Get ready for real talk and real conversation in this new Lifetime series, executive produced by Demi Moore and British actress, Amanda de Cadenet. Each episode provides a refreshing and modern take on celebrity interviews as de Cadenet sits down with female celebrities to discuss topics universal to all women.

A fictional telephone conversation between the filmmaker and his mother on her birthday. A performative reflection on the relationship between public and private spheres in which the maker turns his back to the camera, simultaneously shielding himself, and engages the viewer in the (im)possibility of bridging the gap between the man and his mother. Capturing the intimate conversation seems to be a way of keeping a personal memory alive while it merges with the viewer’s memory.

Charles sits for hours in a wardrobe in a rented room on the attic, looking back on his whole life. He was brought up by a single mother who loved his only child with a sick desperate feeling and limited all his world to her own person. Charles' tragedy began with his adolescence. It made his mother aware of her feminity that resulted in her new marriage. Together with a new husband she decided to send the boy to a school for retarded children. Upon leaving the school Charles starts to seek his longing mother who moved out, in a meanwhile, not giving any address.

An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.

This is a 45 minute interview with RWF in the kitchen in a house he had rented close to Paris at that time. Four years before his untimely death the interview shows a quite relaxed and patient Fassbinder who answers all kinds of (often contrafactual or at least uninformed) questions and reveals quite a lot about his childhood and current personal drama. Sober, chainsmoking but very lightheaded RWF.

In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of German reunification "a leave-taking from the Hamlet principle in favor of the market economy" was taking place. In this interview, he elaborates on the parallels between the play and contemporary reality in terms of the plot and the characters (for example, Günter Schabowski as well as the problematic role of Fortinbras).

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

Based on the conversations Jösta Hagelbäck and Erik Ostlund had with Lars Kristiansson, a professor of information theory with data communication at Chalmers University in Gothenburg, Sweden. The talks took place at the difficult cancer sufferer Kristiansson's sick-bed and dealt with his insights in computer technology, his hopes and fears for the new technology, the role of religion, the history of mathematics, reasoning about algebra, analytic geometry and the fourth dimension, along with cultural outlooks over the Western society's lack of mysticism and spiritual values.

Ryszard Ochódzki receives a special assignment for UB - infiltrating the "Solidarity" party branch in Suwałki. His arriving there coincides with the imposition of martial law on Poland.

The film portrait recounts the social and political repression of homosexuals in post-war Germany based on an interview with 95-year-old Erich Haas, who worked as a receptionist in hotels in Munich after the Second World War.

“Conversations on Hatred” by Vera Fogwill from Argentina narrates a real-time story of a farewell between two terminally ill women. In this intimate and deep conversation, they discuss their views on maternity, friendship, and their ways of dealing with the disease. A brilliant conversation starts, which reminds us all of the best cinema had to offer in the past.

William Friedkin and Nicolas Winding Refn discuss the production and the reception of Friedkin's movie 'Sorcerer'