Marc-Antoine and Mickael are staying every winter behind on a by tourists abandoned island. Like their friends they are also full of plans to leave for the mainland, but is Marc-Antoine able to escape his solidified routine?

A Boston school teacher fights with a group of impoverished Frenchmen for possession of an inherited château. Elizabeth Rockwell is indignant when she finds her château filled with squatters, a widower with five messy children, who have no regard for private property rights.

After obtaining their Secondary School diplomas, some young people plan to continue their education but are not sure which area to choose.

The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.

CQ2 (seek you too) is the story of an teenager, with an uncertain future, who canalises her lust for life in the study of contemporary dance.

Zourab and Natia are living a secret romance, but when the news spreads in the village, the situation becomes uncontrollable.

Illustration of the song 'Tout l'amour' performed by Dario Moreno.

Charlie, an inquisitive teenager uncovers a treasure in the forest. In finding its rightful owner, she restores the memory of a great passion and also her own path.

Handy Man examines the window as a site of voyeurism and surveillance. With his Hi-8 camera, Henricks documents two workers in his interior courtyard. The camerawork has a secretive and furtive feel, treating the male body as an erotic object. This footage forms the basis of a video which attempts to implicate the viewer in processes of exhibitionism and image fetishization. Handy Man is part of a trilogy of works exploring one of the principle metaphors of video: the window.

This bright domestic drama captures a moment in time when, for a large number of idealistic and grateful French men and women, the promise of Russian communism was bright, and everything Russian was a source of joy and amazement. In the story, Irene was rescued from Auschwitz by soldiers from the U.S.S.R., and since that time she has enthusiatically considered Russia to be the source of hope in the world. Her more pragmatic husband has, by 1958, grown somewhat weary of her enthusiasm, which has led her to decorate their apartment with anything Russian she can get her hands on. Matters come to a head when she is befriended by three members of the Red Army Choir during their tour of Paris.