Huo San Niang as the successor of Huo Jia's head in his tomb was buried with a murderous curse that is accidentally released when encountering an artifact. The film tells the story of how Huo Saniang found the killer who may be the possessor of his beloved companions within the temple cruel and even mysterious to themselves.

Zen priest Ittetsu Nemoto lost an uncle and two friends to suicide. It left him with deep emotional scars, and he decided to start an online support group for people with suicidal thoughts. Nowadays, he receives them in person at his temple... Each painful story paints an intriguing picture of what life on the edge can look like. Together, the portraits form a quiet plea for a broader view on the treatment of suicidal behavior.

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

A documentary directed by Halgurd Salih tells the mysterious story of Mr. Hama Tal, a veteran Peshmerga.

The last wedding of an Udmurt. A year after his death, his soul says goodbye to the world of the living and becomes engaged to another, unknown world.

In the 1980s, five young students from the University of Tartu get an opportunity to travel to Northern Finland. Sadly, the group experiences an accident after which one of the members dies. The survivors try to keep themselves clear-headed, but it is physically and mentally challenging. The relationships in the group keep getting more aggressive and soon enough, no one can be trusted anymore.

In Colombia, among grandmothers, parents and grandchildren, we play to believe that if we eat the orange seeds, a small orange tree will be born in our body. During childhood we thought it could be possible.

It tells about a boy who wants to please his grandfather who came from the city. While talking about the events with Zuunai, the old man Norov said, "I have seen a lot in my life. Galkhu took the words very seriously. After that, the boy found a golden cup and wanted to please his grandfather, but when he went to the next house, he found a copper cup and took it. When the cup disappeared, even an innocent person was suspected of the crime. Mandaj boy's wishes do not come true.

This is a mother who lives inadapted to a world of rigid structures: those of the system, those of the family, those of women. With neither direction nor ownership of the spaces she inhabits, on impulse she decides to abandon her children and enter the forest. In this place giant trees, waving hands and the unknown quantity of some sheets emerge that will guide her at all times. Appearing out of the atmosphere, women dressed in white will accompany her as she mourns her motherhood.

This story will shed light on the fact why a firtree does not have usual leaves but the number of needles. It is because the nature had to protect the tree from invasions of a cunning villain. This helped the tree to defeat the mercenary invader but changed the appearance of the forest beauty forever.

Plastic Tree's first DVD live released on April 3, 1996

A bold and eclectic cinematic style defines the work of filmmaker Michka Saäl and her friend, writer Nadine Ltaif as they journey from childhoods in the Middle East to their chosen home of Montréal. Saäl is Jewish, Ltaif is Arab. Together they overcome the divisive prejudices of their upbringing and embark on an engaging search for clarity, familiarity and historical significance among the immigrant communities of Montréal. Saäl uses super-8 home movies, old photographs, dramatizations and casual conversations to cross personal and political boundaries, giving voice to the varied ancestries of us all.

The wind, the birds, the sweat, the hands, the wheelbarrow, the drought and the burial. Could it be possible to disappear in the desert? Totoral is a village that fades away behind its hills. A village that emerged and learned from the land and its animals, and from staying safe. The desert is constantly changing, the trees dry up, and they, the men, with their animals, wipe away their footsteps and their presence as time goes by.

Short Two-story horror omnibus “Cherry Tree in the Schoolyard” and “Face in the Book!”.