The Talk Stagione 14 Episodio 36
The Talk Stagione 14 Episodio 36, Streaming ita _ film cb01 alta definizione, the talk || film complet et série vostfr
Talking about Food and Other Things
Titre original: Talking about Food and Other Things ( Film )
A "short" documentary about people explaining their eating habits in the context of their lives. The film conveys the peculiar way in which we talk about ourselves, delving into the connections between personal life and outside activities, all with the pretext that food has a strong iconic force.
I Don't Want to Talk About It Now
Titre original: Não Quero Falar Sobre Isso Agora ( Film )
Daniel O'Neil is a promising writer who has to work hard when Dora, his rich girlfriend, breaks up with him. Expelled from the hotel where he lives in Copacabana, Daniel moves into the small apartment of Meg, his best friend. He puts them both in danger when he gets a ride with a drug dealer who ends up being chased by the police and asks Daniel to keep two packages of cocaine.
We Talk About António Campos
Titre original: Falamos de António Campos ( Film )
A portrait of António Campos, an extraordinary cineaste that was called an amateur, one of the most unique Portuguese directors due to the way he filmed the country on the 1960 and 1970’s. Considered as a director out of the mainstream, a loner, instinctive, Campos stands for the passion of filming.
When We Talk About KGB
Titre original: Aš už tave pakalbėsiu ( Film )
To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.
Every Time I Talk With Myself
Titre original: Ogni volta che parlo con me ( Film )
A man, an actor and his character in the dressing room of a theater. An “on the road” journey across Europe. A character who is both ironic and tragically lost in the midst of everyday objects strewn throughout his days – shoes, cell phones, streets, stoplights – giving birth to an archipelago from a shipwreck, the refuge of a thought seeking to escape from itself. He exists in a precarious balance between his thoughts which flow, oftentimes in a whisper, and the bombardment by external stimuli that bring him back to the reality from which he’s trying to escape, in an agitated soliloquy that is both comical and paradoxical.
We Talk When All Ends
Titre original: Falamos Quando Acabar ( Film )
Luísa, 16 years old, faces a loss for what she is not prepared.
A Perfect Night to Talk about Love
Titre original: Uma Noite Perfeita Para Falar de Amor ( Film )
After sharing with his best friend his suspicion that his own wife is cheating on him, a young man calls back hours later to dismiss his own account. But he can't know what his friend knows. "Uma Noite Perfeita Para Falar de Amor" (A Perfect Night to Talk about Love) is a bittersweet comedy about love and betrayal loosely inspired in a short story by J.D. Salinger.
Don’t Talk To Me About New Beginnings
Titre original: Não Me Fale Sobre Recomeços ( Film )
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
Talking With Your Boyfriend's Ex-Girlfriend
( TV Serie )
Under One Sky: Arab Women in North America Talk about the Hijab
Titre original: Under One Sky: Arab Women in North America Talk about the Hijab ( Film )
Is the hijab -- the veil associated with Muslim women -- a symbol of oppression, an emblem of cultural identity, a combination of these two elements, or something else altogether? Set against a backdrop of Madison Avenue ads and Hollywood movies that alternately romanticize and demonize the Middle Eastern woman, this program presents the history of Arab womanhood, from the days of the early colonial missions to the post-Gulf War era. Informed and articulate Arab women living in North America passionately elucidate the ideologies behind the veil, as they tear away the labels imposed by both East and West.
Talking Dog for Sale, 10 Euros
Titre original: Se vende perro que habla, 10 euros ( Film )
When a man sees a curious advertisement for a talking dog for sale cheap, he pursues the offer with natural skepticism...
If We Keep Talking in Summer Days
Titre original: 盛夏聒噪 ( Film )
In a small city in the north, the time of midsummer is very short. Two boys get to know each other by chance and agree to meet by a lake. But one of them doesn’t keep the agreement, and it begins to rain heavily.
Talking about Rose. Prisoner of Hissène Habré
Titre original: Parler de Rose, prisonnière de Hissène Habré ( Film )
"Parler de Rose" (Talking about Rose), narrated by Oscar-winning actress Juliette Binoche and directed by Isabel Coixet examines the life and death of Rose Lokissim a prisoner of Hissène Habré, the former dictator of Chad. Survivors of Habré's jails remember Rose as a brave inmate who took care of the sick and kept up the prisoners' morale. She also delivered clandestine messages to the outside world to inform relatives of their loved ones inside. Ultimately, Habré's political police, the DDS, learned of the messages and murdered her. Among the DDS files uncovered in 2001 by Human Rights Watch was the police report of Rose's last interrogation. Rose's questioners wrote that Rose said that even if they killed her, "Chad will thank her and history will talk about her." Now, 29 years later, Rose's courage is finally being remembered as Hissène Habré stands trial beginning 20 July 2015 before a special court in Senegal, where he has lived since he was overthrown in 1990.
There Are Many Things One Can Talk About...
Titre original: وهناك أشياء كثيرة كان يمكن أن يتحدث عنها المرء... ( Film )
The film was based on an interview with the late dramatist Saadallah Wannous a few months before he died of cancer. Wannous narrates his somber and relentless reflections – an adieu to a generation for whom the Arab-Israeli conflict has been the source of all disillusion. The playwright recounts, with some regret for the lost opportunities that resulted, how the Palestinian struggle became a central part of intellectual life for an entire generation
When People Talking About My 'P'
Titre original: Nalika Maranehna Ngomongkeun 'Bobogaan' Urang ( Film )
Putra, a 5 year old boy, is circumcised for the first and last time. One day when Yeni (Putra’s mother) was preparing a party for her child, Putra suddenly fainted and something strange happened to his genitals.
Don't You Think Girls Who Talk in Hakata Dialect Are Cute?
Titre original: 博多弁の女の子はかわいいと思いませんか? ( Film )
The series follow the story of a high school boy who lives in Tokyo, and his childhood friend, Hakatano Donko-chan, who is from Hakata and really talks in Hakata dialect! People around her sometimes get confused because of it, but her dialect makes them smile!
The Men Talking Nonsense
Titre original: 说废话的人 ( Film )
The current state of life of unsuccessful literary youth.
We Need to Talk About Dilan
Titre original: Dilan Hakkında Konuşmalıyız ( Film )
Dilan works in her uncle's real estate office and lives with her mother. She will turn thirty soon, and feels she is not living up to her potential. A documentary crew follows her while they try to figure out the problem.
LET’S TALK HORROR LITERATURE
Titre original: عن أدب الرعب نحكي ( Film )
Why Horror? Why has this type of literature become an important pillar, and a hard challenge for those seeking to get into it? And more importantly... Why do people love Horror Fiction?
Let's Talk About It Tomorrow
Titre original: Let's Talk About It Tomorrow ( Film )
The story of an Iranian woman, Tina, who questions her decision to keep her child due to the women's movement in Iran and the fact that the child is a girl.