In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.

Nagisa, a high school girl who has been given three months to live. Without telling her widowed father where she is going, she sets out from the city to the small town where she was born. She recalls her childhood memories, and her love for Satoshi begins to grow stronger. However, she is shocked to discover that Satoshi is having an affair with Eriko, a married woman.

A crowd swarms on Amsterdam’s Dam Square in front of the horse tram. In the background, we see the outline of Central Station.

In a love triangle there are always three participants: the torturer, the saviour and the victim, who change roles depending on the situation. There is no room to condemn anyone, there is no right and no guilt. A betrayal can happen with everyone. Margo admits to her husband George that she betrayed him with her student Anton. Her confession changes the life of three people. At first it seems that it is a usual story, but gradually it emerges that everything that happens to Margo has a deeper meaning. She begins to understand God, family, and love. She starts to realize how these values correspond with the eastern world, where she has grown up, and with the western world where she now lives.

50s quiet Estonian town. After a long separation, two brothers met in their parents' house. The younger one, Ilmar, a formerly capable artist, has just been released under an amnesty from a camp where he ended up for some youthful prank. Older brother Alex, by nature a more reserved person who prefers to find compromise solutions, is the complete opposite of Ilmar. The meeting of the brothers develops into a conflict, complicated by the fact that Ilmar got in touch with repeat offenders in the camp, and now they are threatening him with violence.

Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion.

A mother, trapped in the comfort of memory and mourning, confronts her grief when she is invited to the wedding of her late son’s childhood sweetheart.

Young peasants come together to dance in the evening. The girls arrive by bike; the boys get ready for them by doing their hair. The less shy amongst them begin to dance. Then, some of them go home, singing as they go, delighted to have obtained a promise. Others take advantage of the dark to make love.

The small Asturian village of Cenciella, Spain, at the beginning of the twentieth century. The quiet life of Urbano and Estrella, a kind and naive couple in love, is seriously altered when they get involved in the fierce struggle between the local political factions.

It's Sunday. During the course of the meal, Jean observes family members. They ask you questions without listening to the answers... It is normal, Sunday dinner.

Based on the novel by Olha Kobylyanska.

A droll and formalistic comic drama about the various relationships among, and odd obsessions of, the residents of a Tokyo apartment block.

When she is painting, her mind is carried away. Memories from the past transform her thoughts.

After film school, Godina’s first professional work as a director was “Picnic on Sunday,” a 1968 black-and-white short without any words that shows how seven different people spend a Sunday. A simple concept, but in Godina’s hands the short is suffused with both sexuality and revolution. - Paste