There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.

Behold in this film the Uplifter, a peculiarity of the human species, quite convinced that all that is, is wrong. Forth to the uplift he minds everybody's business but his own, until that business is as clean, pure and spotless as himself. Verily in these later days is there no school of art named, "Minding One's Business."

A freelance writer looking for romance sells a story to Cosmopolitan magazine about finding love in the workplace and goes undercover at a Finance Company.

While one kid is being bullied, another one witnesses the revolting situation. Filled with guilt, fear, and powerlessness; he starts wondering if just minding his own business is the right thing to do.

Little Goat Productions’ documentary Funny Business is the first feature length, insider look at some of the best known cartoonists for the venerable New Yorker magazine. The film won a CINE Golden Eagle Award for excellence in filmmaking. It has been shown in venues throughout New York City, including the Metropolitan Museum of Art, and was broadcast on WNET, WLIW as well as a variety of PBS stations across the country.

A marine security officer stranded on the ocean in a small boat is rescued by a crew of buccaneers.

A sexual wellness company gains fame and followers, then members come forward with shocking allegations.

Chautauqua manager Walter Hale and his loyal business manager struggle to keep their traveling troupe together in small town America.

A man goes to hell after driving his car off a bridge and returns to Earth as a vampire.

Moise Katumbi Chapwe is an Italian Sephardic Jew on his father's side and a Congolese on his mother's side. He is the Congolese personality who most strongly symbolizes African revival. He is a businessman controlling many compagnies and, since the first democratic elections of the RDC Congo, he is the Governor of Katanga, a region as big as France and a veritable treasure house of raw materials. For many Africans, he represents the new providential politician, capable of raising the Katangans out of their poverty, in the manner of the biblical Moses, whences he draws inspiration. Moïse Katumbi is rich enough not to have to pillage his province, he regularly uses football and television to reinforce his popularity.

A perfumer and a little tyrant... these two women learn together what courage and justice is.